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The Art of Noise, "Into Battle"
Repertoire
The feeling of glee that came over me finding something like this inthe bins at a cheap price was amazing. It's almost as if somebody hasbeen reading my mind as of late. German label Repertoire has snatchedthis gem from AON's back catalogue—their first 12" EP, originallyreleased on ZTT back in 1983—and slapped some bonus 12" remixes andincluded a DVD of videos. The Art of Noise were one of the first groupsto introduce sampling of non-musical sounds into musical rhythms andtextures and Into Battle,their first EP is a groundbreaking legend. The EP featured two minorhits, the chunky "Beat Box," which influenced a ton of 1980s acts andprovided the blueprints for a style later described as "big beat" inthe 1990s, and the 10+ minute lush "Moments in Love," most famouslyused as Madonna and Sean Penn's wedding march. Both were later compiledon other AON releases like Who's Afraid of... and Daft,but there was something that made this EP a bit more interesrting.Short pieces like "Battle," "Flesh In Armor," "Donna," and thesix-second "Bright Noise" add neat little transitions, which wassomething I had always kind of hoped other bands might take hint fromand make a 12" EP something more than just an ordinary 12" single.(Tragically, it didn't happen enough.) The CD is rounded out with two12" remixes of their arguably biggest single from the TrevorHorn-produced ZTT era, "Close to the Edit," both of which of which Ihad never heard and am likewise pleased by the addition of live pianoand other instrumentation not present in the original versions. The DVDwhich comes along with this is what nearly made me drool. Looking atthe package, it lists the videos for "Moments in Love," "Beat Box," and"Close to the Edit" (as well as the forgettable track "Metaforce" fromtheir reunion a couple years ago). Back in the 1980s, everything wasn'tas good as people think they remember, musically. MTV didn't actuallyplay a lot of cool stuff, as I vividly remember being bombarded withTom Petty, John (Cougar? not Cougar!) Mellencamp, and Bryan Adams. Itwas the show Night Flight on the USA Network where I firstsaw/heard/videotaped bands like Coil, Skinny Puppy, Cabaret Voltaire,Wire, and The Art of Noise. I have aging videotapes with videos like"Beat Box" recorded and the thought of it on a DVD was a divine gift.However, much to my dismay, "Beat Box" doesn't appear despite beinglisted (BASTARDS!) I do get to have the gorgeous video of "Moments inLove" with wigs, singing turtles, and ice-skaters in slow motion andthe award-winning classic of "Close (to the Edit)," where three guysand a little girl trash various musical instruments, so, I guess I getwhat I pay for. However, should this "Repertoire Records" (never heardof them before this) ever fix this mistake, I'll be quite happy andquickly try to exchange this version with them.
The feeling of glee that came over me finding something like this inthe bins at a cheap price was amazing. It's almost as if somebody hasbeen reading my mind as of late. German label Repertoire has snatchedthis gem from AON's back catalogue—their first 12" EP, originallyreleased on ZTT back in 1983—and slapped some bonus 12" remixes andincluded a DVD of videos. The Art of Noise were one of the first groupsto introduce sampling of non-musical sounds into musical rhythms andtextures and Into Battle,their first EP is a groundbreaking legend. The EP featured two minorhits, the chunky "Beat Box," which influenced a ton of 1980s acts andprovided the blueprints for a style later described as "big beat" inthe 1990s, and the 10+ minute lush "Moments in Love," most famouslyused as Madonna and Sean Penn's wedding march. Both were later compiledon other AON releases like Who's Afraid of... and Daft,but there was something that made this EP a bit more interesrting.Short pieces like "Battle," "Flesh In Armor," "Donna," and thesix-second "Bright Noise" add neat little transitions, which wassomething I had always kind of hoped other bands might take hint fromand make a 12" EP something more than just an ordinary 12" single.(Tragically, it didn't happen enough.) The CD is rounded out with two12" remixes of their arguably biggest single from the TrevorHorn-produced ZTT era, "Close to the Edit," both of which of which Ihad never heard and am likewise pleased by the addition of live pianoand other instrumentation not present in the original versions. The DVDwhich comes along with this is what nearly made me drool. Looking atthe package, it lists the videos for "Moments in Love," "Beat Box," and"Close to the Edit" (as well as the forgettable track "Metaforce" fromtheir reunion a couple years ago). Back in the 1980s, everything wasn'tas good as people think they remember, musically. MTV didn't actuallyplay a lot of cool stuff, as I vividly remember being bombarded withTom Petty, John (Cougar? not Cougar!) Mellencamp, and Bryan Adams. Itwas the show Night Flight on the USA Network where I firstsaw/heard/videotaped bands like Coil, Skinny Puppy, Cabaret Voltaire,Wire, and The Art of Noise. I have aging videotapes with videos like"Beat Box" recorded and the thought of it on a DVD was a divine gift.However, much to my dismay, "Beat Box" doesn't appear despite beinglisted (BASTARDS!) I do get to have the gorgeous video of "Moments inLove" with wigs, singing turtles, and ice-skaters in slow motion andthe award-winning classic of "Close (to the Edit)," where three guysand a little girl trash various musical instruments, so, I guess I getwhat I pay for. However, should this "Repertoire Records" (never heardof them before this) ever fix this mistake, I'll be quite happy andquickly try to exchange this version with them.
