 |
|
The Constantines
Sub Pop
Originally released in 2001 on the Canadian Three Gut Records, theConstantines' debut album is now available via Sub Pop to Americanaudiences. That's not to say that those of us south of the borderaren't already familiar with The Constantines following the success of Shine A Light,one of the best albums of 2003. While The Constantines have often beencompared to the likes of Fugazi, they manage to equally channel thespirit of everyone from Bruce Springsteen to the Replacements. BryWeber's vocals are the band's trademark, carrying the torch forcrooners such as Tom Waits and the above-mentioned Springsteen. Theband's mission is simple, as Webb screams on "Arizona," the album'sopening track: "We want the death of rock n' roll." The irony is thatThe Constantines are more rock n' roll than most other bands in theindie pantheon, and that's their strong point. Anchored by DougMacGregor's confident drumming and Dallas Wehrle's pulsating basslines,the songs on this album maintain an overall energy and aesthetic thatgives the album a seamless quality. While the music is the drivingforce behind the album, Weber's lyrics are perhaps its highlight.Allusions to Isadora Duncan, Danny Rapp, and the Italian Futuristsillustrate an intellectual side not often found in indie rock. Theoverall mood and atmosphere of the album is summed up on the finaltrack, where in "Little Instruments" Weber sings "Mercy little rocker,bleeding guitars / Went out chasing landmarks, fell asleep at the bar /We got an amplifier." They indeed have amplifiers, and let's bethankful for that.
Originally released in 2001 on the Canadian Three Gut Records, theConstantines' debut album is now available via Sub Pop to Americanaudiences. That's not to say that those of us south of the borderaren't already familiar with The Constantines following the success of Shine A Light,one of the best albums of 2003. While The Constantines have often beencompared to the likes of Fugazi, they manage to equally channel thespirit of everyone from Bruce Springsteen to the Replacements. BryWeber's vocals are the band's trademark, carrying the torch forcrooners such as Tom Waits and the above-mentioned Springsteen. Theband's mission is simple, as Webb screams on "Arizona," the album'sopening track: "We want the death of rock n' roll." The irony is thatThe Constantines are more rock n' roll than most other bands in theindie pantheon, and that's their strong point. Anchored by DougMacGregor's confident drumming and Dallas Wehrle's pulsating basslines,the songs on this album maintain an overall energy and aesthetic thatgives the album a seamless quality. While the music is the drivingforce behind the album, Weber's lyrics are perhaps its highlight.Allusions to Isadora Duncan, Danny Rapp, and the Italian Futuristsillustrate an intellectual side not often found in indie rock. Theoverall mood and atmosphere of the album is summed up on the finaltrack, where in "Little Instruments" Weber sings "Mercy little rocker,bleeding guitars / Went out chasing landmarks, fell asleep at the bar /We got an amplifier." They indeed have amplifiers, and let's bethankful for that.
