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The Ebb and Flow, "Murmurs EP"
Blue Orange
The Ebb and Flow sound like the setup to a great joke: an Iranian, aRussian, and a New Yorker start a band, drawing on their individualinfluences to make a new sound. The joke's on anyone who takes thatdescription at face value and expects to hear a trainwreck, though.This San Francisco band employs a clever mix of styles, rhythms, andinstruments, forming an interesting melange that never quits or getssloppy. The Ebb and Flow use guitar, drums, and a variety ofsynthesizers and organs as a base coat, then use whatever methodsnecessary to take the song to the next level. As it stands, theirs is aunique jazzed up prog synth pop sound, with two vocalists that bringout different strengths as the songs progress; and Murmursis a solid piece of work from a band destined for excellence. Guestmusicians provide everything from touches of flavor to necessarycomponents: the band is billed as a trio, with guest bassist DmitryIshenko, but I think they should just invite him to join, as I can'timagine these songs without his confident low end. "4 Track Mind -Dusty Crickets" starts with arpeggio guitar and solid rhythm, then addstrumpet and keys, building towards release. Then, it all dissolves inelectronic chirps, only to be reborn as a power pop shuffle. SaraCassetti and Roshy Kheshti have smooth voices like icing on this cake,and they play their instruments with just as much passion and heart."Me and My Twins" features guitarist Sam Tsitrin's turn on vocals, anda more indie rock sound to boot, just as easy to swallow as the firsttrack. It threatens to fade out, but then comes right back in again forone last taste. "Routes and Roots" and "Throop" are the high energyrocking out double shot, with "Throop" approaching boogie territory asthe trumpets blare. Then "Contra Verse" puts all the pieces togetherwith male/female vocals and a blend of all sounds previous. Too shortbut solid, Murmurs shows a band in their prime that deserves a real shot at the prize. Hopefully they won't have to wait too long.
The Ebb and Flow sound like the setup to a great joke: an Iranian, aRussian, and a New Yorker start a band, drawing on their individualinfluences to make a new sound. The joke's on anyone who takes thatdescription at face value and expects to hear a trainwreck, though.This San Francisco band employs a clever mix of styles, rhythms, andinstruments, forming an interesting melange that never quits or getssloppy. The Ebb and Flow use guitar, drums, and a variety ofsynthesizers and organs as a base coat, then use whatever methodsnecessary to take the song to the next level. As it stands, theirs is aunique jazzed up prog synth pop sound, with two vocalists that bringout different strengths as the songs progress; and Murmursis a solid piece of work from a band destined for excellence. Guestmusicians provide everything from touches of flavor to necessarycomponents: the band is billed as a trio, with guest bassist DmitryIshenko, but I think they should just invite him to join, as I can'timagine these songs without his confident low end. "4 Track Mind -Dusty Crickets" starts with arpeggio guitar and solid rhythm, then addstrumpet and keys, building towards release. Then, it all dissolves inelectronic chirps, only to be reborn as a power pop shuffle. SaraCassetti and Roshy Kheshti have smooth voices like icing on this cake,and they play their instruments with just as much passion and heart."Me and My Twins" features guitarist Sam Tsitrin's turn on vocals, anda more indie rock sound to boot, just as easy to swallow as the firsttrack. It threatens to fade out, but then comes right back in again forone last taste. "Routes and Roots" and "Throop" are the high energyrocking out double shot, with "Throop" approaching boogie territory asthe trumpets blare. Then "Contra Verse" puts all the pieces togetherwith male/female vocals and a blend of all sounds previous. Too shortbut solid, Murmurs shows a band in their prime that deserves a real shot at the prize. Hopefully they won't have to wait too long. samples:
