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The Ex "Singles. Period."
After nearly 30 years of defying the system, it seems that The Ex are ripe for a retrospective. This isn’t necessarily surprising, given the overwhelmingly positive response that greeted last year’s Turn.
Covering the early portion of their career, Singles. Period. focuses on exactly that. From 1980 to 1990, The Ex released a spate of vinyl-only singles that, as the liner notes suggest, hinted at what was to come on future albums. The chronological sequencing of this album proves beneficial, as The Ex develop from a sloppy, Oi-inspired band of rabble rousers to a precise, angular machine. Early singles like “Human Car” and “Stupid Americans” are rough hewn and amateurish. It seems that at this early stage, the band was very much inspired by the inflammatory spirit of the Clash and other early anarcho-punk bands like England’s Crass. These early singles are really only notable in that they place the evolution of The Ex in context. The first really great song here is “Weapons for El Salvador,” where the drumming is slowed to a marshal shuffle, and a stubborn guitar figure is repeated throughout. Meanwhile, vocalist G.W. Sok spouts lyrics seething with rage and discontent. The following track “Dust,” features guitar playing during the verses that is not unlike DNA or other no-wavers. “When Nothing Else is Helpful Anymore” features some truly inspired guitar playing while the rest of the band engages in a stubborn reggae jam. This song, along with the rest of the songs that formed the Gonna Rob the Sperm Bank single seem to be the first real peek into the future for listeners. Whereas earlier works aped the spirit of ’77 for both message and sound, this single found the band placing much more emphasis on rhythm and texture, something that would begin to inform much of the group’s later work. While many may question the point of a singles collection for this particular group, for the band’s fans it is a real treat. Many of these singles were out of print and nearly impossible to come by. While the music may be spotty at times, it is nonetheless worthwhile in that it showcases the evolution of a band who would go on to make some of the more confrontational and challenging punk rock of the 1990s.
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