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The Frames, "Set List"
Anti
The Frames' lack of notoriety in the US is not due to any lack ofeffort on their parts. With two releases on Overcoat, including their2001 studio album For the Birdsand a compilation of unreleased tracks, the band has been on theseshores for several club tours, getting their name out and entertainingthe masses with their polished live sound. Where other Irish bands havetried this route with limited success on a grand scale, The Frames seemto want a home-grown fanbase, teaming their small club presence withintimate albums recorded with Steve Albini and in someone's kitchen. In2003, they recorded a live album in front of a sold-out Dublin crowd,and released it to great acclaim in their home country, where it toppedthe charts and critic's polls at year's end. Now, with a new deal onEpitaph's Anti imprint, Glan Hansard and the boys are making another goon American audiences on a slightly larger scale, with that very livealbum as the first release to give people a taste of the already richcatalog of songs the band has accrued. Three of their studio albums arerepresented with more than one track, and several of them becomeextended rock jams in front of an audience. Many have said that TheFrames are a live band first, and hearing the CD I can understand why.Hansard gives his all vocally, yelping at the top of his lungs inareas, and the band blisters their way through songs, though the crowddoesn't seem to mind. In fact, it's always a good sign if you have thecrowd singing along with every word, and on several tracks that'sexactly what happens, most notably on "Lay Me Down," where the crowdbecomes an almost impromptu choir. Hansard also proves an amusing andamiable frontman, conversing with the crowd and offering stories andanecdotes here and there. Though the album is a tour-de-forceculmination of all their energies, there are small missteps, like theinclusion of "Ring of Fire" into "Lay Me Down," and the fact that themajority of the songs will be lost on a new listener, with no studioversions to compare them to as the albums are not available in the USand are rather difficult to order. That said, it's a great primer fortheir new studio album due later this year, and a great show of theextremes the band goes through, from somewhat down-tempo numbers to theall-out assault of "God Bless Mom." One thing's for sure: with anupcoming US tour supporting it-boy Damien Rice, I'll be one of thefirst in line to see if they can live up to Set List.
The Frames' lack of notoriety in the US is not due to any lack ofeffort on their parts. With two releases on Overcoat, including their2001 studio album For the Birdsand a compilation of unreleased tracks, the band has been on theseshores for several club tours, getting their name out and entertainingthe masses with their polished live sound. Where other Irish bands havetried this route with limited success on a grand scale, The Frames seemto want a home-grown fanbase, teaming their small club presence withintimate albums recorded with Steve Albini and in someone's kitchen. In2003, they recorded a live album in front of a sold-out Dublin crowd,and released it to great acclaim in their home country, where it toppedthe charts and critic's polls at year's end. Now, with a new deal onEpitaph's Anti imprint, Glan Hansard and the boys are making another goon American audiences on a slightly larger scale, with that very livealbum as the first release to give people a taste of the already richcatalog of songs the band has accrued. Three of their studio albums arerepresented with more than one track, and several of them becomeextended rock jams in front of an audience. Many have said that TheFrames are a live band first, and hearing the CD I can understand why.Hansard gives his all vocally, yelping at the top of his lungs inareas, and the band blisters their way through songs, though the crowddoesn't seem to mind. In fact, it's always a good sign if you have thecrowd singing along with every word, and on several tracks that'sexactly what happens, most notably on "Lay Me Down," where the crowdbecomes an almost impromptu choir. Hansard also proves an amusing andamiable frontman, conversing with the crowd and offering stories andanecdotes here and there. Though the album is a tour-de-forceculmination of all their energies, there are small missteps, like theinclusion of "Ring of Fire" into "Lay Me Down," and the fact that themajority of the songs will be lost on a new listener, with no studioversions to compare them to as the albums are not available in the USand are rather difficult to order. That said, it's a great primer fortheir new studio album due later this year, and a great show of theextremes the band goes through, from somewhat down-tempo numbers to theall-out assault of "God Bless Mom." One thing's for sure: with anupcoming US tour supporting it-boy Damien Rice, I'll be one of thefirst in line to see if they can live up to Set List.
