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The Frequency
NFI
After years in Trans Am collaborating on sounds from the extremelyexperimental to the completely inane, Sebastian Thomson finally giveshis own songs a go with The Frequency, and the results are enough tosend my head reeling into eternal confused giddiness. Thomson plays themajority of the instruments himself as well as handling vocal duties,with guests here and there as necessary. This album was finally anexplanation to me for TA, as most of the songs have a new wave/Beat Streetsoundtrack vibe. That's not to say "Blame Seb for that piece of crap,"but instead to say that his desire to make an '80s club booty recordmay have driven that release and bleeds over to this one. At momentswhile listening to this debut, I felt I was listening to the long lostmusic of hitchhikers on the Autobahn, then I wanted to breakdance, thenlaugh out loud the shouts of "move dat ass! move dat ass!" followed bysynchronized thrashing a la Warrant. In the middle of it all, though,is a unique voice trying to get out, and for that and trying to shakesome posteriors Thomson deserves some props. The style-meter is allover the place for this band, and that's sometimes the problem as theswitch can jar uncomfortably. Nevertheless, there are real nuggets tobe found. "Erasing Myself" is an arena rock anthem of magnumproportions, destined for inclusion on some teen angst coming of agecompilation bust still cutting-edge enough that indie rock and hairmetal fans might blast it. The gutter bass, snare snazz, and space saxof "Allnite" may just be the solution to the boredom on manydancefloors, where "You're the Perfect Size" and "Moonburn" are hardrock intensity with vague sexual innuendo spread throughout — withextra panting on the latter. There's also near-death metal here andthere, like on "Tell Me" and "Forgot," and a touch of that familiarTrans Am sound on "Chicas." Thomson appears to wrestle with thedifferent sides of his personality much in the same way Trans Am does,but he's at least decided on a pop-song structure, which in and ofitself puts him ahead of the pack in the electro-rock genre. TheFrequency are on tour soon opening for Trans Am, so show up early for ataste of this live.
After years in Trans Am collaborating on sounds from the extremelyexperimental to the completely inane, Sebastian Thomson finally giveshis own songs a go with The Frequency, and the results are enough tosend my head reeling into eternal confused giddiness. Thomson plays themajority of the instruments himself as well as handling vocal duties,with guests here and there as necessary. This album was finally anexplanation to me for TA, as most of the songs have a new wave/Beat Streetsoundtrack vibe. That's not to say "Blame Seb for that piece of crap,"but instead to say that his desire to make an '80s club booty recordmay have driven that release and bleeds over to this one. At momentswhile listening to this debut, I felt I was listening to the long lostmusic of hitchhikers on the Autobahn, then I wanted to breakdance, thenlaugh out loud the shouts of "move dat ass! move dat ass!" followed bysynchronized thrashing a la Warrant. In the middle of it all, though,is a unique voice trying to get out, and for that and trying to shakesome posteriors Thomson deserves some props. The style-meter is allover the place for this band, and that's sometimes the problem as theswitch can jar uncomfortably. Nevertheless, there are real nuggets tobe found. "Erasing Myself" is an arena rock anthem of magnumproportions, destined for inclusion on some teen angst coming of agecompilation bust still cutting-edge enough that indie rock and hairmetal fans might blast it. The gutter bass, snare snazz, and space saxof "Allnite" may just be the solution to the boredom on manydancefloors, where "You're the Perfect Size" and "Moonburn" are hardrock intensity with vague sexual innuendo spread throughout — withextra panting on the latter. There's also near-death metal here andthere, like on "Tell Me" and "Forgot," and a touch of that familiarTrans Am sound on "Chicas." Thomson appears to wrestle with thedifferent sides of his personality much in the same way Trans Am does,but he's at least decided on a pop-song structure, which in and ofitself puts him ahead of the pack in the electro-rock genre. TheFrequency are on tour soon opening for Trans Am, so show up early for ataste of this live.
