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The New Pornographers, "Electric Version"
Matador
/ Mint
Pornography's aim is to please, regardless of context or meaning, thesimple aesthetic end is pleasure for pleasure's sake. Thus, it seemsapt that the New Pornographers have chosen such a name for themselves.Their first release, 2000's Mass Romanticwas a furiously bright amalgam of its talented principal members, whichinclude Carl Newman of Zumpano, and Destroyer's Dan Bejar, as well asthe sultry, soulful (and this writer's #1 musical crush) Neko Case. Mass Romanticbuzzed with the input of all of the members, their identities lending adiverse, off-kilter tone to the impeccably crafted pop songs thatpermeated the album. It was a meeting of the minds, collaboration inthe truest sense of the word, which recognized the individual buttriumphed the whole with impressive results. Three years later, thegroup has come together again to give us Electric Version, aformidable follow up that finds the group in a more comfortable nook,and honing their skills into a tightly focused point. The familiarharmonious chorale of the New Pornographer's is never far away, but'Electric Version' shows signs of growth from, or perhaps just theenhancement of the original blueprint. "The End of Medicine" hitsperfectly, with Newman's unique lyrical phrasing backed up by Case'spowerful voice amidst the densely packed, chugging music, replete withfluttering keyboard and jangling electric guitar. The lead andbackground roles established here are found throughout the album, withCarl Newman taking much more of a leadership role in the group thanbefore. His voice emerges in the foreground far more than either Caseor Bejar (who has relegated himself to 'secret member' status, unableto devote a large amount of time to the project recently). Newman'scontributions are wonderful, from the mid-tempo jangle of "July Jones"to the rollicking "It's Only Divine Right." Still, Bejar takes the helmfor three of the album's songs, most notably the anthemic "Testament toYouth in Verse," which rises from a modest beginning to explode with achanting sing a long finale that features the New Pornographer'simpeccable harmonies. Neko finally finds herself taking command on "AllFor Swinging You Around," which beautifully showcases the versatilityof her voice, capable of a fun jaunt as well as her trademarkintensity. Both "The Laws Have Changed" and "The New Face of Zero andOne" see Newman and Case together, with fantastic results. Neko was allover Mass Romantic, and though her mark is both seen and heard throughout the album, the rationing of her lead vocals on Electric Version make the appearances even more satisfying. If anything, Electric Versionshows that The New Pornographers are developing from a pastiche ofsources into a slick, smooth unit with a sound instantly identifiableas their own. Most importantly, they're out to make fun, exciting, andenjoyable music without an ounce of pretense or thought ofself-importance. It's great music for it's own sake, and that's enough.
/ Mint
Pornography's aim is to please, regardless of context or meaning, thesimple aesthetic end is pleasure for pleasure's sake. Thus, it seemsapt that the New Pornographers have chosen such a name for themselves.Their first release, 2000's Mass Romanticwas a furiously bright amalgam of its talented principal members, whichinclude Carl Newman of Zumpano, and Destroyer's Dan Bejar, as well asthe sultry, soulful (and this writer's #1 musical crush) Neko Case. Mass Romanticbuzzed with the input of all of the members, their identities lending adiverse, off-kilter tone to the impeccably crafted pop songs thatpermeated the album. It was a meeting of the minds, collaboration inthe truest sense of the word, which recognized the individual buttriumphed the whole with impressive results. Three years later, thegroup has come together again to give us Electric Version, aformidable follow up that finds the group in a more comfortable nook,and honing their skills into a tightly focused point. The familiarharmonious chorale of the New Pornographer's is never far away, but'Electric Version' shows signs of growth from, or perhaps just theenhancement of the original blueprint. "The End of Medicine" hitsperfectly, with Newman's unique lyrical phrasing backed up by Case'spowerful voice amidst the densely packed, chugging music, replete withfluttering keyboard and jangling electric guitar. The lead andbackground roles established here are found throughout the album, withCarl Newman taking much more of a leadership role in the group thanbefore. His voice emerges in the foreground far more than either Caseor Bejar (who has relegated himself to 'secret member' status, unableto devote a large amount of time to the project recently). Newman'scontributions are wonderful, from the mid-tempo jangle of "July Jones"to the rollicking "It's Only Divine Right." Still, Bejar takes the helmfor three of the album's songs, most notably the anthemic "Testament toYouth in Verse," which rises from a modest beginning to explode with achanting sing a long finale that features the New Pornographer'simpeccable harmonies. Neko finally finds herself taking command on "AllFor Swinging You Around," which beautifully showcases the versatilityof her voice, capable of a fun jaunt as well as her trademarkintensity. Both "The Laws Have Changed" and "The New Face of Zero andOne" see Newman and Case together, with fantastic results. Neko was allover Mass Romantic, and though her mark is both seen and heard throughout the album, the rationing of her lead vocals on Electric Version make the appearances even more satisfying. If anything, Electric Versionshows that The New Pornographers are developing from a pastiche ofsources into a slick, smooth unit with a sound instantly identifiableas their own. Most importantly, they're out to make fun, exciting, andenjoyable music without an ounce of pretense or thought ofself-importance. It's great music for it's own sake, and that's enough.
