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The Pilot Ships, "There Should Be an Entry Here"
BlueSanct
"There Should Be an Entry Here" is The Pilot Ships hard to find 1997debut, now re-released on BlueSanct, who released their sophomoreeffort in 2000. Listening to it again now, it hasn't lost its impactfive years on. These songs, created by members of the Stars of the Lidand Monroe Mustang, have lives of their own, as the pallette and feelof each differs from the rest on the record. What grabs you on one songmay not be the driving force of the next track. And where traditionalinstruments drive the proceedings, there are moments of sampled fieldrecordings and ambient noise that fill as much space as the guitars andvocals of other tracks. Birds chirp, a screen door shuts, and thelyrics lament about another blow when the subject is 'already brokendown' ('A Song by Your Campfire'). Listening to it now, everythingseems to be about these people getting to know each other as theycreate, knowing their stops and starts, so they can make musictogether. It's not less coherent than their later release, but it's notas adventurous, which just shows how much this band has grown and cangrow still. The album's epic closer, 'Looked Over (No Fun Reprise)', isas tedious as ever, though, with a bizarre guitar and keyboard openingwith vocal treatments, but dismantling five minutes in. Then a low humor muffled city recording lasts for another thirteen minutes beforepiano and dripping water join with spooky vocals to raise the hairs onyour neck. Still an affecting release, and only serves to whet theappetite for new music from this horribly underrated ensemble.
"There Should Be an Entry Here" is The Pilot Ships hard to find 1997debut, now re-released on BlueSanct, who released their sophomoreeffort in 2000. Listening to it again now, it hasn't lost its impactfive years on. These songs, created by members of the Stars of the Lidand Monroe Mustang, have lives of their own, as the pallette and feelof each differs from the rest on the record. What grabs you on one songmay not be the driving force of the next track. And where traditionalinstruments drive the proceedings, there are moments of sampled fieldrecordings and ambient noise that fill as much space as the guitars andvocals of other tracks. Birds chirp, a screen door shuts, and thelyrics lament about another blow when the subject is 'already brokendown' ('A Song by Your Campfire'). Listening to it now, everythingseems to be about these people getting to know each other as theycreate, knowing their stops and starts, so they can make musictogether. It's not less coherent than their later release, but it's notas adventurous, which just shows how much this band has grown and cangrow still. The album's epic closer, 'Looked Over (No Fun Reprise)', isas tedious as ever, though, with a bizarre guitar and keyboard openingwith vocal treatments, but dismantling five minutes in. Then a low humor muffled city recording lasts for another thirteen minutes beforepiano and dripping water join with spooky vocals to raise the hairs onyour neck. Still an affecting release, and only serves to whet theappetite for new music from this horribly underrated ensemble.
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