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The Twilight Singers, "She Loves You"
One Little Indian
Greg Dulli has always been able to pull off an entertaining cover nowand then when he takes his traveling band on the road. For their latestrelease, he's decided to record a whole album of songs he didn't write,and, based upon comments on his website, some of the choices might bewholly on dares from friends. It's a refreshing collection, as Dullidoesn't stay just in one genre, or interpret the songs all in the samefashion, which makes for some real gems and a few missteps, in trueDulli tradition. The album opens with a rather mellow number in"Feeling of Gaze," a Hope Sandoval tune that could easily have beensultry with her, but Dulli makes it his melancholy own. Then it's "TooTough to Die," which he also manages to pull off despite occasionalcracks of voice, and the record starts to move into "I can't believehe's a man, and he's still killing these songs by women" territory. Thenext one is the real killer, though: "Hyperballad" is not exactly asong that would seem well-suited to his style, but with the Singersit's a proud, soaring, and glorified take on Björk's tune ofself-destruction. "Hyperballad" is also the first complaint, as themixing on the chorus is almost ruined by the distortion coming throughthe speakers. Somehow, the whole package is not ruined and the songrises above anyway. As does "What Makes You Think You're the One," eventhough Dulli's vocal sounds just a twinge off for the whole song,calling back to "Band of Gold" from the Uptown AvondaleEP. That's part of the reason to admire Dulli and his effort, though,as he doesn't seem concerned with sounding like the best rendition ofthe song ever, just sounding passable and putting out a version of thesong he likes, even though it may tweak the ears a bit. It's all worthit on something like "Real Love" — yes, the Mary J. Blige version — or"Black is the Color of My True Love's Hair," which was released on asingle all its own last year, but its inclusion makes the set completeand a little sweeter. By the time Gershwin's "Summertime" comes around,the album takes a real sharp dark turn. That's Dulli's style exactly,and though these songs may jar here and there they do make a mark.
Greg Dulli has always been able to pull off an entertaining cover nowand then when he takes his traveling band on the road. For their latestrelease, he's decided to record a whole album of songs he didn't write,and, based upon comments on his website, some of the choices might bewholly on dares from friends. It's a refreshing collection, as Dullidoesn't stay just in one genre, or interpret the songs all in the samefashion, which makes for some real gems and a few missteps, in trueDulli tradition. The album opens with a rather mellow number in"Feeling of Gaze," a Hope Sandoval tune that could easily have beensultry with her, but Dulli makes it his melancholy own. Then it's "TooTough to Die," which he also manages to pull off despite occasionalcracks of voice, and the record starts to move into "I can't believehe's a man, and he's still killing these songs by women" territory. Thenext one is the real killer, though: "Hyperballad" is not exactly asong that would seem well-suited to his style, but with the Singersit's a proud, soaring, and glorified take on Björk's tune ofself-destruction. "Hyperballad" is also the first complaint, as themixing on the chorus is almost ruined by the distortion coming throughthe speakers. Somehow, the whole package is not ruined and the songrises above anyway. As does "What Makes You Think You're the One," eventhough Dulli's vocal sounds just a twinge off for the whole song,calling back to "Band of Gold" from the Uptown AvondaleEP. That's part of the reason to admire Dulli and his effort, though,as he doesn't seem concerned with sounding like the best rendition ofthe song ever, just sounding passable and putting out a version of thesong he likes, even though it may tweak the ears a bit. It's all worthit on something like "Real Love" — yes, the Mary J. Blige version — or"Black is the Color of My True Love's Hair," which was released on asingle all its own last year, but its inclusion makes the set completeand a little sweeter. By the time Gershwin's "Summertime" comes around,the album takes a real sharp dark turn. That's Dulli's style exactly,and though these songs may jar here and there they do make a mark.
