To Live and Shave in LA, "The Grief That Shrieked to Multiply"

It is not surprising that Tom Smith and Rat Bastard's TLASILA project would release such a baffling work as this. Three discs, four-plus hours (more if the bonus downloadable material is included) and more than 60 artists reworking their material. However, Smith took it upon himself to mix the contributions into long form DJ sets, making it an odd and difficult release to listen to at times. However, with the slew of diverse artists represented, both well known and not so well known, the challenge and effort is worth the listen.

Monotype Records

The concept behind this release is this massive collection of artists took improvisational recordings from the Noon and Eternity album, as well as isolated tracks from The Cortège and Épuration albums in order to construct their contributions/remixes, which were then sequenced and blended together to create these distinct, disc-long megamixes that are unrelenting in their approach and duration.

Perhaps it is just my own attempt to make sense of this work, but the three mixes seem to have some sort of genre-associated cohesion to them, albeit in the loosest sense.Disc one, My Finger Was Hooked, seems a bit heavier on the harsh noise end of the spectrum.Opening first with RM74's brittle digital noise of "Bones, Beers and Muscles" and immediately followed up with Howard Stelzer's untitled work of fuzzy tape collages, it takes on a noise vibe right away.With the likes of Carlos Giffoni, Aaron Dilloway and 16 Bitch Pileup appearing, it is some heavy players in the world of noise, even if the mixing makes it occasionally hard to tell who is contributing what.For example, I think Dilloway's contribution of "In Memory of Phil Anselmo" is the one full of cut up Thin Lizzy samples with TLASILA material, but I could be completely wrong.Plus, there are some more music moments around, such as the techno stomp and helium voices of Otto Von Schirach's "Cream Pie 2" keeping things weird.

I Offer Syrup embraces more of the conventional world of electronic music as a whole, from Sickboy Milkplus' "TLASILA THAF Remix" sputtering out with canned drum machine rhythms and stuttering breakbeats to Richard Devine’s microsound laden "V2 Mix".To keep things from being overly similar though, both Dave Philips and Rudolf Eb.er appear in this mix to represent the Schimpfluch scene, as does Thee Majesty, who supplies an abstract ritualistic electronic collage.

Finally, I Offal and I Stumble puts a bit more emphasis on the drone artists, with the likes of William Fowler Collins, C. Spencer Yeh and Kevin Drumm all making their appearances within this disc.Of course it does not stick to some consistent plan, with the likes the random junk cut-ups of Evil Moisture and the harsh noise of Torturing Nurse also rearing their distinct heads.Most surprising, however, is a collage/spoken word appearance by Jared Louche, formerly Hendrickson, of Chemlab (one of my long standing musical guilty pleasures from high school).It is not exceptional really, but his appearance alone made me smile.

While I understand this work from a conceptual standpoint, I would have preferred to have seen these contributions indexed individually, as there are a few pieces I would rather listen to multiple times, and others that, while not especially bad by any means, feel more like filler when placed alongside the more unique artists.It is easy to appreciate and enjoy it as is, but I personally would prefer it as a more traditional compilation album rather than the DJ mix setup that it is.But, given the artist responsible for the project, that sort of rewarding frustration is not surprising in the least.

samples:

• Howard Stelzer - "Untitled (edit)"
• Sickboy Milkplus - "TLASILA THAF Remix"
• Evil Moisture - "BBQ Flavour"