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Venetian Snares, "Huge Chrome Cylinder Box Unfolding"
Planet µ
Despite his efforts to write a melodic album distanced from thebeat-driven erraticism and pop culture plunderphonics that have definedmuch of his work to date, Aaron Funk's eleventh album as VenetianSnares sounds like something Richard D. James saved to diskette andthrew in a corner. In all honesty if I had received this CD without anyartwork or indication of artist name, I would have written it off asanother Aphex Twin/Autechre/Mu-Ziq wannabe and thrown it in the pile tobe forgotten. The greatest fault of Huge Chrome Cylinder Box Unfolding lies in its lack of the mix of eccentric charms and sinister overtones found on previous releases like Horse and Goat, Find Candace, and the now-classic Doll Doll Doll.The sameness of the material makes the majority of the songspractically indistinguishable from eachother, making it difficult tolatch on to any one in particular. Gurgling MOS6581 sound chip melodiesand spastic percussion litter tracks like "Bonivital," "Coke Ajax," and"Nineteen1319" with little variation to speak of. "Keek" employs SpeakN Math equation gibberish to accent its tinny atmospheres while "Vida"fuses together Commodore 64 tones and glitchy hip hop with spottyresults. OK, Aaron, we get it. You like oldschool video game sounds.Thanks for clarifying. From reading my descriptions here, some readersmight be confused as to why I have such a negative view of thisrelease. To them I would say that good intentions and seemingly cleverideas are often far less enjoyable when implemented musically, as isthe case here. To be clear, Huge Chrome Cylinder Box Unfoldingis not an unlistenable affair, and without a doubt stands as Funk'smost accessible release to date. Still, after making a name for himselfwith music that is equally challenging and entertaining, thisderivative release ranks as an unmemorable entry in his relativelystrong catalog.
Despite his efforts to write a melodic album distanced from thebeat-driven erraticism and pop culture plunderphonics that have definedmuch of his work to date, Aaron Funk's eleventh album as VenetianSnares sounds like something Richard D. James saved to diskette andthrew in a corner. In all honesty if I had received this CD without anyartwork or indication of artist name, I would have written it off asanother Aphex Twin/Autechre/Mu-Ziq wannabe and thrown it in the pile tobe forgotten. The greatest fault of Huge Chrome Cylinder Box Unfolding lies in its lack of the mix of eccentric charms and sinister overtones found on previous releases like Horse and Goat, Find Candace, and the now-classic Doll Doll Doll.The sameness of the material makes the majority of the songspractically indistinguishable from eachother, making it difficult tolatch on to any one in particular. Gurgling MOS6581 sound chip melodiesand spastic percussion litter tracks like "Bonivital," "Coke Ajax," and"Nineteen1319" with little variation to speak of. "Keek" employs SpeakN Math equation gibberish to accent its tinny atmospheres while "Vida"fuses together Commodore 64 tones and glitchy hip hop with spottyresults. OK, Aaron, we get it. You like oldschool video game sounds.Thanks for clarifying. From reading my descriptions here, some readersmight be confused as to why I have such a negative view of thisrelease. To them I would say that good intentions and seemingly cleverideas are often far less enjoyable when implemented musically, as isthe case here. To be clear, Huge Chrome Cylinder Box Unfoldingis not an unlistenable affair, and without a doubt stands as Funk'smost accessible release to date. Still, after making a name for himselfwith music that is equally challenging and entertaining, thisderivative release ranks as an unmemorable entry in his relativelystrong catalog.
