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Vincent Gallo, "Recordings of Music for Film"
Warp
And the winner of the Worst Warp Album Ever prize? Why Vincent Gallo's 'Recordings of Music for Film' of course! Beating out the former champion (Gallo's previous Warp release 'When'), this entirely unnecessary release compiles material that recorded since the late 1970s all the way through the late 1990s for various film projects, including his classic film Buffalo '66. Please don't misunderstand me. I enjoy Vincent Gallo somwhat as an actor, and his role in the sex meets cannibalism indie "Trouble Every Day" will probably stand out in my mind as his finest hour, but musically he's the pits. It troubles me that a label with such a strong history as Warp would even bother to put this album out on the market, as it is comprised of 29 tracks of pointless atmospheric noodling and forgettable vocal takes. "Lonely Boy" is a great example of this, with tonedeaf singing over minimal instrumentation. Nothing stands out here. Nothing moves me. Is this supposed to be artistic? Am I missing something? It can't just be me. Some people may think that I've just been hard on Warp lately, but that's because I know they can do better than this garbage (as their recent singles from Sote and S omething J/DJ Maximus have proven). They cannot rely on the famous names in their roster like Aphex Twin and Squarepusher to redeem them forever. It's time to break ground again, and Vincent Gallo is not going to be that innovator—not by a longshot.
And the winner of the Worst Warp Album Ever prize? Why Vincent Gallo's 'Recordings of Music for Film' of course! Beating out the former champion (Gallo's previous Warp release 'When'), this entirely unnecessary release compiles material that recorded since the late 1970s all the way through the late 1990s for various film projects, including his classic film Buffalo '66. Please don't misunderstand me. I enjoy Vincent Gallo somwhat as an actor, and his role in the sex meets cannibalism indie "Trouble Every Day" will probably stand out in my mind as his finest hour, but musically he's the pits. It troubles me that a label with such a strong history as Warp would even bother to put this album out on the market, as it is comprised of 29 tracks of pointless atmospheric noodling and forgettable vocal takes. "Lonely Boy" is a great example of this, with tonedeaf singing over minimal instrumentation. Nothing stands out here. Nothing moves me. Is this supposed to be artistic? Am I missing something? It can't just be me. Some people may think that I've just been hard on Warp lately, but that's because I know they can do better than this garbage (as their recent singles from Sote and S omething J/DJ Maximus have proven). They cannot rely on the famous names in their roster like Aphex Twin and Squarepusher to redeem them forever. It's time to break ground again, and Vincent Gallo is not going to be that innovator—not by a longshot.
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