 |
|
Voltigeurs/Horseback
Pairing one of Matthew Bower's newer projects with Jenks Miller’s minimalist metal band is a wise move for Turgid Animal, and this 10" delivers the expected amount of guitar-focused chaos from both artists.
Voltigeurs' side-long track "Dew Blest Adawning" seems to have more in common with Total than Skullflower, instantly launching into full bore noise and not relenting until the needle hits dead wax.Throughout the echoed din, it sounds like there's actual guitar and synth sounds there somewhere, but destroyed beyond all recognition.It's almost like there's a melody to be heard, but it's so fully immersed in distortion that it's only a fleeting glimpse.
Horseback does two tracks, and both are rather different but nicely show the old school drone by way of riff heavy metal sound Miller has been cultivating."High Ashen Slab" opens with rapid, live drums and a repetitive organ melody that are (of course) propelled by overdriven guitar riffs.The guttural metal vocals which I'm normally not fond of work well, placed in the mix more like another instrument than traditional singing.Carefully the guitars take over, becoming noisier and more prominent before ending in a hollow land of guitar noise and screamed vocals.
"Another World" goes to more traditional drone metal territory, mixing a processed melodic loop and a thin, pounding beat.It’s much more about texture, with less focus on big, heavy riffs or subtle melodies.Eventually the latter pops up towards the end, shining through the gray roar triumphantly.
Between the two, I’ve got to give the edge to Horseback, who has been consistently impressing me since hearing The Invisible Mountain (before it was on Relapse).With the almost '70s hard rock tinged "High Ashen Slab" and the disciplined textural noise of "Another World," Miller's strengths are clear.The Voltigeurs side is more than competent, but has less of an original sound in comparison, not separating itself drastically from other guitar noise bands.
samples:
 
