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V/VM, "Relax"
V/Vm Test Records
For V/VM this is love in the time of controversy, and it's especiallyfitting for them to be making some of the hottest music of theircareers while in the hottest water yet. After I obtained a copy of thisnow rare commodity through means I will not disclose — a process othersmight find difficult, as well — I immediately dimmed the lights andfired up the candles and twinkle lights to get in the right mood forthis revisiting of the Frankie Goes to Hollywood classic. Truth betold, I knew my body was about to be rocked, just not this hard and notwith so much of a history lesson involved. This being the 20thanniversary of the original release of "Relax," it seems V/VM wanted toshare some of the more interesting tidbits of the single's background,and some of the controversy that surrounded it, as well. Hence, theartwork that closely resembles the sleeve of the Frankie single, andsamples throughout the remixes of radio programmer reactions and otherstrangeness. As for the digital reconstruction that is the musicitself, I was floored by some of the showmanship involved. V/VM havegathered remixes from a number of manipulators, including Animal,Toecutter, Shitmat, The Alien Porno Midgets and more that succeed incapturing the essence of the track and then obliterating allconceptions about it. Several of the tracks don't even feature the wordthat is the song's title, cutting and splicing the bassline and choiceother phrases, creating a neo-stomp in pasting it all back together.There's odd combinations to be sure, but they work so well: the uses of"Auld Lang Syne" and "Smoke on the Water" are particularly noteworthyfor their originality and creation of an irreplaceable leitmotif in mybrain. Where other V/VM releases have seemed to pick apart and mock theartist in question, I felt that this was an earnest homage to theorginal and to the process of remixing in general. This is more of astatement than V/VM have ever made, and it hits on all levels; thusunintentionally they defy the issue that makes it difficult to find inthe first place, as well as those responsible for it.
For V/VM this is love in the time of controversy, and it's especiallyfitting for them to be making some of the hottest music of theircareers while in the hottest water yet. After I obtained a copy of thisnow rare commodity through means I will not disclose — a process othersmight find difficult, as well — I immediately dimmed the lights andfired up the candles and twinkle lights to get in the right mood forthis revisiting of the Frankie Goes to Hollywood classic. Truth betold, I knew my body was about to be rocked, just not this hard and notwith so much of a history lesson involved. This being the 20thanniversary of the original release of "Relax," it seems V/VM wanted toshare some of the more interesting tidbits of the single's background,and some of the controversy that surrounded it, as well. Hence, theartwork that closely resembles the sleeve of the Frankie single, andsamples throughout the remixes of radio programmer reactions and otherstrangeness. As for the digital reconstruction that is the musicitself, I was floored by some of the showmanship involved. V/VM havegathered remixes from a number of manipulators, including Animal,Toecutter, Shitmat, The Alien Porno Midgets and more that succeed incapturing the essence of the track and then obliterating allconceptions about it. Several of the tracks don't even feature the wordthat is the song's title, cutting and splicing the bassline and choiceother phrases, creating a neo-stomp in pasting it all back together.There's odd combinations to be sure, but they work so well: the uses of"Auld Lang Syne" and "Smoke on the Water" are particularly noteworthyfor their originality and creation of an irreplaceable leitmotif in mybrain. Where other V/VM releases have seemed to pick apart and mock theartist in question, I felt that this was an earnest homage to theorginal and to the process of remixing in general. This is more of astatement than V/VM have ever made, and it hits on all levels; thusunintentionally they defy the issue that makes it difficult to find inthe first place, as well as those responsible for it.
