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Wilt, "As Giants Watch Over Us"
Ad Noiseam
Good or bad, dark ambient albums rarely get much of a rise out of me.While I can usually appreciate an artist's attempts at creating acertain mood or feeling, I have heard enough "haunting sonictapestries" over the years that it takes a lot to impress me. The glutof releases from obviously untalented bedroom producers in this genrecertainly doesn't give a reason to get excited. While by no means arevolutionary work, As Giants Watch Over Us,the third Ad Noiseam release from James Keeler, benefits from itswillingness to use intrusive sounds among its more subdued spookydrones. "Empire Of The Snake" opens this lengthy album with ominoustextures peppered with sudden bursts and prolonged sections ofswirling, unruly synthesized noise. Breaking from this style, the titletrack exudes a type of frozen paranoia amid the screeching, voicesnippets, and sampled dramatic symphonies. "The Fiddler And The Fool"creeps along much like an updated version of a old horror movie score,shifting gears around three minutes in to dissonance and backwardsloops. The emotive and atmospheric "Reversing Magnetism" plays outbeautifully, with delayed and stretched tones morphing over clickingstatic and low bass. Running over 70 minutes long, at least a few ofthese thirteen somewhat similar tracks could have been whittled down orcut altogether. Nonetheless, both the Cold Meat Industry set as well assound design connoisseurs may find some reward from As Giants Watch Over Us.
Good or bad, dark ambient albums rarely get much of a rise out of me.While I can usually appreciate an artist's attempts at creating acertain mood or feeling, I have heard enough "haunting sonictapestries" over the years that it takes a lot to impress me. The glutof releases from obviously untalented bedroom producers in this genrecertainly doesn't give a reason to get excited. While by no means arevolutionary work, As Giants Watch Over Us,the third Ad Noiseam release from James Keeler, benefits from itswillingness to use intrusive sounds among its more subdued spookydrones. "Empire Of The Snake" opens this lengthy album with ominoustextures peppered with sudden bursts and prolonged sections ofswirling, unruly synthesized noise. Breaking from this style, the titletrack exudes a type of frozen paranoia amid the screeching, voicesnippets, and sampled dramatic symphonies. "The Fiddler And The Fool"creeps along much like an updated version of a old horror movie score,shifting gears around three minutes in to dissonance and backwardsloops. The emotive and atmospheric "Reversing Magnetism" plays outbeautifully, with delayed and stretched tones morphing over clickingstatic and low bass. Running over 70 minutes long, at least a few ofthese thirteen somewhat similar tracks could have been whittled down orcut altogether. Nonetheless, both the Cold Meat Industry set as well assound design connoisseurs may find some reward from As Giants Watch Over Us.
