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Yellow6/Rothko/Landing, "New Found Land"
The Music Fellowship
The Music Fellowship begins their Tryyptych Series—EPs with three 20+minute tracks ("tryyps") by three separate but similar artists—with New Found Land, in what promises to be a very compelling set for those who love ambient instrumental guitar rock. Landing are well known for creating emotion-stirring, spine-shiveringsounds, while Yellow6 and Rothko, projects by solitary men Jon Attwoodand Mark Beazley respectively, get respect not just for their etherealpassages, but also for accomplishing their singular visions alone.Together, the music of these bands makes for a calming, gentle ride,with the exception of a few punches of noise along the way. Althoughall three artists have over 20 minutes of music a piece, they dividetheir large compositions into sections. The expansive sound ofAttwood's Yellow6 seems very exploratory in nature, with most soundscomposed and altered in a digital studio. Each movement has an ambientbacking track, digital percussion, and sly flourishes over the top,from guitar to keyboard lines. Yellow6 is very structured this timearound, too, which makes the music all the more affecting, withemotions running high and the whole gamut. Rothko, by contrast, seemsmuch more interested in off-the-wall sounds and sources, from the musicbox and field recording on the first "Halftone and Metatone" to thedrone and plucked bass of several of the others. It interested me thatthe three artists took little or no effort in making their music blendor run together, either, which was especially surprising for Rothko,where all of Beazley's tracks bear the same name, with only a numberdistinction at the end. This is no slight, however, as each track doesstand very well on its own, it just would have made more sense for 20minutes of music to bear a common theme and intertwine. Landing, whosemusic here is fine an example of how far improvisation can carry whenall members are on the same page and in the same zone. Landing's songsseem more like songs than they have put forth in the past. Some fadein, the vocals begin, and when they've seem to run their course, thesong fades out again. It's the musical akin to a Christopher Guestmovie: miles and miles of tape captured, but in the end it's all editeddown to the finer moments. It's not what I expected from Landing, butquite a pleasant surprise, as each song increases in beauty as the CDplays on. This EP is a great start to the series, and hopefully therest will continue in the same vein.
The Music Fellowship begins their Tryyptych Series—EPs with three 20+minute tracks ("tryyps") by three separate but similar artists—with New Found Land, in what promises to be a very compelling set for those who love ambient instrumental guitar rock. Landing are well known for creating emotion-stirring, spine-shiveringsounds, while Yellow6 and Rothko, projects by solitary men Jon Attwoodand Mark Beazley respectively, get respect not just for their etherealpassages, but also for accomplishing their singular visions alone.Together, the music of these bands makes for a calming, gentle ride,with the exception of a few punches of noise along the way. Althoughall three artists have over 20 minutes of music a piece, they dividetheir large compositions into sections. The expansive sound ofAttwood's Yellow6 seems very exploratory in nature, with most soundscomposed and altered in a digital studio. Each movement has an ambientbacking track, digital percussion, and sly flourishes over the top,from guitar to keyboard lines. Yellow6 is very structured this timearound, too, which makes the music all the more affecting, withemotions running high and the whole gamut. Rothko, by contrast, seemsmuch more interested in off-the-wall sounds and sources, from the musicbox and field recording on the first "Halftone and Metatone" to thedrone and plucked bass of several of the others. It interested me thatthe three artists took little or no effort in making their music blendor run together, either, which was especially surprising for Rothko,where all of Beazley's tracks bear the same name, with only a numberdistinction at the end. This is no slight, however, as each track doesstand very well on its own, it just would have made more sense for 20minutes of music to bear a common theme and intertwine. Landing, whosemusic here is fine an example of how far improvisation can carry whenall members are on the same page and in the same zone. Landing's songsseem more like songs than they have put forth in the past. Some fadein, the vocals begin, and when they've seem to run their course, thesong fades out again. It's the musical akin to a Christopher Guestmovie: miles and miles of tape captured, but in the end it's all editeddown to the finer moments. It's not what I expected from Landing, butquite a pleasant surprise, as each song increases in beauty as the CDplays on. This EP is a great start to the series, and hopefully therest will continue in the same vein.- Yellow6 - Centraal
- Rothko - Halftones and Metatones - 3
- Landing - Through the Twilight
