The firstdischarge on the newly minted No Fun label kicks off with a typicallynegative-titled Wolf Eyes solo affair from that dude with the longhair. |
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The firstdischarge on the newly minted No Fun label kicks off with a typicallynegative-titled Wolf Eyes solo affair from that dude with the longhair.
9338 Hits
While not creating strictly-formulated conceptalbums, the Legendary Pink Dots frontman does tend to take an idea or a mood and run with itthroughout a release. This is very much apparent on Fragments ofIllumina, which has a sense of wholeness and completeness despite theradically different approaches in its songs.
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Long Live Death provide a great example of dishonest music, of a music born from adolescent preoccupations with the occult that never go anywhere, but instead stay the product of an adolescent mind. David (Late) Tibet, despite his initially shocking voice, sounds convincing and absolutely believable.
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The king of Shitkatapult has gone pop. While T.Raumschmiere is undoubtedly one of the most marketable and cross-over capable artists to come out of the hard, broken dance scene in Germany, his leap into mainstream whine-rock is still a little unexpected.
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Harvesting all the energy of the punk world through some of the louder and more distorted acts of yesterday, this duorips up their instruments and vocal chords over the course of eightbrief tracks, proving that the guitar hasn't completely lost its edgeor destructive ability.
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Within less than a year since their previous album Dan Matz and Jason McNeely return with Giving up the Ghost. Not dissimilar to 2004’s We Fight til Death,their latest album keeps to the typical gentle but pulsing rock sound.
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Vertonen is the work of Blake Edwards, owner and proprietor ofChicago's C.I.P. label, which has released work by variousexperimental, primarily electronic projects including Z'ev, The HaflerTrio, Howard Steltzer/Jason Talbot and Nautical Almanac.
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Johannes Vester and Ludwig Papenburg, along with with Ludwig's brotherUlrich, formed the group Sand, whose sole album (1974's Golem) is aKrautrock classic, famous for its haunting sparseness as well as the"Artifical Head" stereo mixing method pioneered by producer KlausSchulze.
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I wish there was a nicer way to say this, but Aidan Baker's newestrelease just isn't very good. It's disappointing because I trulyenjoyed a live set I caught of his in Toronto last year, and his recordwith Mnemosyne as part of last year's Piehead series was pretty solid.
6778 Hits
I only had to read a few of the song titles from Icelandicsinger-songwriter Blindfold to know I was in for music that would putme to sleep.
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Stan Ridgway's solo albums have been getting more relaxed over the years. Whereas his early post-Wall Of Voodoowork sounded heavily structured and painstakingly produced, his recentwork has become looser...the edges are getting rougher, his lyrics andmusic are getting both darker AND sillier (often during the samesong).
6164 Hits
Opening their latest album with "Hot Stenographer" communicates a clear message: this Seattle quartet is bent on blowing up stereo speakers and washing their musical style with a new approach.
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Autonomous Addicts seems set up in every way to be yet anotherdisposable compilation of computer dance music that pads discographies,but it winds up being something much more interesting and essential.
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The new EP from Andy Cabic’s group Vetiver is a subdued affair.Cabic and Vetiver are best known for their Devendra Banhart connection(Banhart performed on Vetiver’s self titled album and Cabic is now partof Banhart’s band, Hairy Fairy).
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Witha list of remixers like Prefuse 73, Four Tet, and Danger Mouse as theprinciple selling point, I expected this single from Pedro to beindulgent or repetitive, but thankfully it is neither.
7164 Hits
Though nowhere near as willfully experimental as some of hisearlier releases, Resilience promises to be an album that will find aprominent place in Kid 606’s body of work as his most meditative and(egads!) mature.
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On his first solo release, Tamburo’smastery of the guitar is on clear display. The five tracks arebeautifully resigned compositions which explore not just the musicalpossibilities of the acoustic guitar, but also its ability to—pardonthe cliché—speak to the soul.
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Likea sweet and sour sauce that's been haphazardly whipped together, KFC Coremanages to balance its hard, aggro side with its silly, playful side,despite the lack of effort that seems to have gone into some of theconstruction.
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This release compiles various singles, covers,and odds and ends from the Bloomington-based post-hardcore group.
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Anyone who has seen 24 Hour Party People will probably remember severalscenes involving A Certain Ratio. At various points they get smearedwith sunless tanner, are told to dress like boy scouts, and play theinaugural show at Tony Wilson's towering pipedream to self-indulgence,the Hacienda, to an empty house.
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