Every once and a whilesomething comes across the desk without warning, without pretenses, youdrop it in and it suddenly takes hold of the mood and becomes one ofthe most enjoyable listens.
Sneakster is thecollaboration between former Seefeel leader, Mark Clifford along withsinger Sophie Hinkley. "Pseudo-Nouveau" is the first full-length CDreleased from Sneakster and appeared last year throughGuthrie/Raymonde's Bella Union label.
I think I read somewherethat this is in fact an audience recording. If that's so, I'm damnedimpressed. This is probably one of the most impressive live recordingsof a dark indie type band of this nature.
The wait is finally over:after nearly four years since Bowery Electric released their lastfull-length record, "Beat," the new CD is out and the band is ready toface an anxious world.
The first release onTricky's Durban Poison label, this album from English collective TheBaby Namboos expands the boundaries of trip-hop (a genre which hasbecome rather tired lately), presenting interesting pop songs, soulfulmelodies and just enough rap and reggae to keep you interested.
The concept was alreadyinvented but the execution was quite different. I'm referring to LeafRecords' "Invisible Soundtracks" volumes 1 and 2, which collectedexclusive tracks from Laika, Fridge, To Rococo Rot, Paul D. Miller andothers, where the premise was to have soundtrack music made up forfictitious movies.
For their thirdfull-length release, Matmos has indeed ventured down the road to thewestern lands - with guitar and western themed songs done through theeyes of an experimental electronic band who by now has their shittogether.
Some tones, some drones,beautiful soundscapes and even a guitar bit on here. Most unmistakablyCoil, however, this is the CD release of an LP originally recorded backaround Halloween 1998.
Although I was only alive for two years during the 70s, I can definitelyappreciate the annoyingness of overproduced 70s arena rock (mostly through the magic of those VH1 "Behind the Music" specials).
Michael Rother was a major player in the 1970s 'Krautrock' scene as a member of Kraftwerk, Neu! and Harmonia (with Cluster and Brian Eno) and as a solo artist from 1978 to present.
The Man in Black ... backwhen he was a real bad ass. "At Folsom Prison" was recorded on January13, 1968 and originally released later that year, then again on CD in1996 coupled with the '69 "San Quentin" live album.