Originally released a bit over ten years ago, this third (and final) album from the Sutcliffe Jugend side project had always been one of the lost masterpieces, as far I was concerned. It was the most fully realized work of dark, anger fueled hate rock that the band put out, and ranks up there with the best work of somewhat similar bands like Swans, Godflesh, and Big Black. Time has been kind to the disc, which sounds just as powerful and forceful today as it was upon release, and now it is much more widely available.
We made it to 700 episodes. While it's not a special episode per se—commemorating this milestone—you can pretty much assume that every episode is special. This one features Mark Spybey & Graham Lewis, Brian Gibson, Sote, Scanner and Neil Leonard, Susumu Yokota, Eleven Pond, Frédéric D. Oberland / Grégory Dargent / Tony Elieh / Wassim Halal, Yellow Swans, Dental waste in Saigon photo by Krisztian. Get involved: subscribe, review, rate, share with your friends, send images!
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A single track live collaboration between the two New York composers, this was recorded in Portugal last year and focuses on the duo's interest in the composite of piano and digital music, both in the sense of laptop processing piano, and as the two working in harmony as different instruments. The result is a beautiful collage of sounds that never sounds like to disparate technologies in competition, but working together in a complex piece of art.
Harry Smith's 1952 Anthology of American Folk Music has long been considered the Holy Grail of Americana and was an enormous influence on an entire generation of folkies (including John Fahey and Bob Dylan). Art Rosenbaum's Art of Field Recording series also plunges deep into Greil Marcus's "Old, Weird America" but with some inspired and welcome differences. While the impact of Smith's archival work is impossible to repeat, Rosenbaum's work is similarly essential.
The first stateside release by 4AD's Minotaur Shock is a bizarre and frustrating assemblage of disparate elements that cannot happily co-exist (Philip Glass, Frank Zappa, Italian house music, etc.). While often garish and annoying, Amateur Dramatics nevertheless features what is easily one of the best dance tracks to be released in 2008.
Pooling members from inside the Toronto improv scene, Blah Blah 666 remain an iconoclastic outfit. Their chosen name and album title belie their relaxed spontaneity. Starting with a straightforward overture featuring soft vocals and slide guitar, their music quickly gives way to unhinged time signatures, consistently defying my expectations at ever turn. Their solipsistic approach to musical styles reminded me of staying up all night with good friends, and the slap happy feeling that comes from being sleep deprived.
As much as I enjoy the music of KTL, there is a feeling that having heard one album, you have heard them all. This album bucks this trend to some degree; there is a feeling that that parameters that Stephen O'Malley and Peter Rehberg work within are widening. The darkness that permeates KTL's music is blacker than ever but the music has more gravity, pulling the listener in with more force than KTL have shown before.
While Tuareg guitar music continues to gather acclaim through groups like Tinarawen, the wider context of poverty and rebellion in Niger and Mali remains obscured from the outside world. In response, Sublime Frequencies continues its vinyl series documenting Tuareg music in the Nigerian city of Agadez.
Loren Chasse is a busy man. A founding member of the famed Jewelled Antler Collective, he also takes part in projects as varied as the delicate dronescapes of Thuja and the woodsy pop of The Blithe Sons, both of which also feature label co-founder Glenn Donaldson. When he sets out on his own though, Chasse opts for the Of moniker, and it is in this habitat that he seems most at ease. Combining ambient subtlety with a dense and immersive drone aesthetic, Chasse creates initimate sonic structures that seem to resonate from the earth itself.
Apparently the first time around just wasn't good enough. Rune Grammofon, in celebration of another five years of great music, has decided to rerelease another gorgeous hardcover art book with a two CD compilation for perusal accompaniment. Initially planned as a revision of the original and now legendarily hard to track down first edition, the second edition instead scrapes the palette clean and builds from the ground up with a new design layout and art by Kim Hiorthøy and 25 mostly exclusive tracks from many of the label's favorites.
Released in the spring of last year, this album was well received but didn’t get enough lasting credit to make it into the annual retrospectives that followed. Listeners hungry for a new take on loop based ambiance should take notice, since Ecstatic Sunshine bucks the plodding and formless conventions of lesser artists working in the genre.
