Brainwashed Radio: The Podcast Edition

Solstice moon in the West Midlands by James

Hotter than July.

This week's episode has plenty of fresh new music by Marie Davidson, Kim Gordon, Mabe Fratti, Guided By Voices, Holy Tongue meets Shackleton, Softcult, Terence Fixmer, Alan Licht, pigbaby, and Eiko Ishibashi, plus some vault goodies from Bombay S Jayashri and Pete Namlook & Richie Hawtin.

Solstice moon in West Midlands, UK photo by James.

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Metalux & John Wiese, "Exoteric"

The term "exoteric" can relate popularity, being the exact opposite of "esoteric" and, for the most part, this description is suited to Metalux. Their strange noise has always been a little easier to swallow with its comprehensible beats, recognizable guitars, and punches of melody. Put them with John Wiese, however, and the title of this album begins to appear ill chosen.
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LSD March, "Empty Rubious Red"

Japan’s LSD March are best known for their thunderously loud and trippy music. Empty Rubious Red shows a softer and more melodic side as the group is stripped back to Shinsuke Michishita alone. The white hot power is still there but only rarely bubbles to the surface. Instead the focus is on building the same power and tension through quieter and less overdriven playing.
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The Blow, "The Love That I Crave" Remixes

Orac Records' co-founder Randy Jones and Paul Dickow (Strategy) both take stabs at remixing the electro-popping, hard-edged dance number "The Love That I Crave" with solid results. The original is twisted and manipulated into stretches of dub-laced pop and sweet, delicate minimalism that is about dance as much as it is about lush beauty.
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Einstürzende Neubauten, "On Tour with Neubauten.org"

neubautenHere is another DVD release which would make any die hard fan excited. Einstürzende Neubauten have always been a group which has had an intimate relationship with their fans and supporters and this documentary is a great snapshot of the experience with the group's  Internet inetractivity and tour following their Perpetuum Mobile release.
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The Legendary Pink Dots, "Your Children Placate You From Premature Graves"

The Dots have always been good at exploring the liminal borderlands between structure and abstraction, between dream and waking life, between nightmare and whimsy. The band's music always has one foot resting on each side, and they are not afraid to dance for extended periods on one side or the other. This album seems to synthesize a lot of the band's previous approaches: crepuscular nightmare monologues, extended noise jams, chugging electronics, twisted fairy tales, orchestral passages, surrealistic cut-up sequences and druggy excursions into nebulous Qlippothic realms.

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Paik, "Monster of the Absolute"

paikIn this year's Terrastock, Detroit's Paik was once again one of the show stealers. While the instrumental combo's formula isn't the most original sound in the world, their songs are fun, the tunes are well-defined, the live sound is intense, and their stage presence is nothing less than godlike. Monster of the Absolute is easily one of this year's better instrumental rock records, as it's the sexy side of gritty: something you don't mind getting dirty for because it feels that good.

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Pearls Before Swine

coverFinally available to the general public on DVD, this movie is the quintessential film for any hardcore Boyd Rice/Non and Death In June fan. However, it's hardly any wonder this film only did the festival circuit and never went out to a widescale release.
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Shogun Kunitoki, "Tasankokaiku"

This is the debut release from a quartet out of Helsinki who play buoyant instrumental electronic music. Swift and without a beat, the songs are like rushing rivers of tones and simple patterns. Since there aren’t necessarily any new sounds or styles to be found here, the songs are carried more by the band’s sheer exuberance.

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Christian Wolfarth, "Wolfarth"

As a kid I loved banging on things and making loud, annoying noises. I'd hit metal pans together, click my tongue, whistle, holler, and stomp my feet, twiddle my fingers on plastic bins, jiggle door handles, and make all sorts of funny sounds with my throat. It was a blast. Apparently that sort of attitude towards random sounds has stuck with percussionist Christian Wolfarth throughout the years.
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Loscil, "Plume"

Scott Morgan's greatest ally may very well be understatement. His work sits comfortably next to many of his label mates, especially Lichens and Bird Show, both of whom utilize unusual sounds and quiet drift to highlight the beauty of their melodies and rhythms.

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