Adding to my theory that producers shouldn't write and release records of their own is this gem of an "ethnic" electronic record. Scott Solter is a name some might identify with Spoon, Court and Spark, or Tarentel, but don't let their better records fools you: The Brief Light is a mess of an album with few strengths to speak of.
Two new shows just for you. We have squeezed out two extended release episodes for this weekend to get you through this week. They contain mostly new songs but there's also new issues from the vaults. The first show features music from Rider/Horse, Mint Field, Robert Aiki Aubrey Lowe, Anastasia Coope, ISAN, Stone Music, La Securite, Bark Psychosis, Jon Rose, Master Wilburn Burchette, Umberto, Wand, Tim Koh, Sun An, and Memory Drawings. The second episode has music by Laibach, Melt-Banana, Chuck Johnson, X, K. Yoshimatsu, Dorothy Carter, Pavel Milyakov, Violence Gratuite, Mark Templeton, Dummy, Endon, body / negative, Midwife, Alberto Boccardi, Divine. Cow in Maui from Veronika in Vienna. Get involved: subscribe, review, rate, share with your friends, send images!
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Bellini appeared to have stumbled out of a time machine. Their barbedguitar hooks, thumping rhythm section, and obtuse lyricism seemstrangely out of place in 2005. One listen through songs like “RoomNumber Five” and “The Buffalo Song” make things remarkably clear:Bellini belong in 1993.
Thosewho have had the pleasure of seeing Wolf Eyes live know that someof their on-stage announcements can be a littlemore on the Bill & Ted side rather than the sort of vitriolichate expected from a trio jamming nasty freeform noiseshit. With their past releases ranging from the blackest of black noiseto stiletto drones it was only a matter of time before they addeda disc of spoken word rambling/stand-up comedy/on-stagenonsense to their catalogue.
Eclectic Discs' superlative reissues of Bill Fay's pair of classic1970s LPs are well-timed, appearing at the crest a few years of slowlybuilding buzz around this most arcane of British singer-songwriters.
“Break My Heart,” the first track of Malcom Middleton’s second solorelease, declares that the singer “don’t want to sing these shit songsanymore.” A jaunty, mid-tempo number which features Middleton’sself-effacing lyrics and is delivered in his thick Scottish accent, itis anything but a “shit song.”
Thisalbum is the transatlantic collaboration between Ben Chansy (Comets onFire, Current 93 and solo as Six Organs of Admittance) and HiroyukiUsui (Ghost, Fushitsusha, and solo as L) and it is based on theproposition that artists, even ones separated by the largest ocean inthe world, can endlessly inspire one another.
Mat Sweet is the primary musician behind every band on the Blue Baby Recordings label, a label that he is also the founder and principle head of. As Jonathan Dean mentioned in the final issue of the Brain, Sweet has a battery of talents that spread across musical styles both diverse and exploratory. Boduf Songs is the demo Sweet recorded and sent to Kranky, hoping to facilitate a relationship that might involve future albums. Thankfully Kranky was stopped dead in their tracks by this demo and released it as is.
This beautifully-packaged limited edition CD-R sees Finland's A Way pitch four tracks against a single twenty-minute Jazzfinger epic. It's an evolutionary fact that even the collaborative spirit of split CD-Rs still leaves the listener with a winner and a loser; someone's going to end up being the b-side.
Robert Lowe might be recognized for his work with 90 Day Men and hisinvolvement with TV on the Radio. As a solo performer Lowe contacts thesublime and unspeakable, evoking masses of digital voices recorded fromwastelands, deserts, and temples.
