Brainwashed Radio: The Podcast Edition

Cow in Maui from Veronika in Vienna

Two new shows just for you.

We have squeezed out two extended release episodes for this weekend to get you through this week. They contain mostly new songs but there's also new issues from the vaults.

The first show features music from Rider/Horse, Mint Field, Robert Aiki Aubrey Lowe, Anastasia Coope, ISAN, Stone Music, La Securite, Bark Psychosis, Jon Rose, Master Wilburn Burchette, Umberto, Wand, Tim Koh, Sun An, and Memory Drawings.

The second episode has music by Laibach, Melt-Banana, Chuck Johnson, X, K. Yoshimatsu, Dorothy Carter, Pavel Milyakov, Violence Gratuite, Mark Templeton, Dummy, Endon, body / negative, Midwife, Alberto Boccardi, Divine.

Cow in Maui from Veronika in Vienna.

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Rolan Vega, "Documentary"

Rolan Vega's ambiguous debut on Community Library suffers from its unfocused genesis. In part a tribute to movie and television soundtracks, Documentary is an intriguing compilation of Vega's synthesizer compositions but not an entirely successful album.
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Marc Hannaford, "The Garden of Forking Paths"

Accessible, improvisational jazz is given new life at the hands of this exceptional quartet. Australian pianist Marc Hannaford leads his group through a variety of musical approaches, drawing a lively dialogue out of each of them that entertains with ease. This quartet reaches deep into their imaginative bag of tricks and pull out one stunning performance after another.
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Mustafa Ozkent, "Genclik Ile Elele"

cover imageRare records are funny things; to some people the value of the record is in how many were pressed and the quirks of individual pressings. To others it is the music that counts, to hell with catalogue numbers and whether it has misprinted labels. This is a release to appeal to those in the former category, rare as hen's teeth but nothing to write home about.
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Griefer, "Brute Force"

cover image Noise and power electronics is always so often heavily entrenched in fascist imagery, serial killer worship, sexual depravity, etc. Not that there's anything wrong with any of that, it just gets trite after a while. Griefer instead opts to create a thematic work based around the Internet and hacking, and the imagery seeps in from the packaging and track titles into the overall sound, giving it a very cohesive feel. Although it doesn't break any new ground genre-wise, it does offer a fresh take on the established that fans will enjoy.
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"Persian Electronic Music: Yesterday and Today, 1966-2006"

Expecting a compilation of various Iranian electronic artists from the past 40 years, I was a little disappointed to discover that this two-disc set only covers two artists, the older Alireza Mashayekhi and the more recent Ata Ebtekar, aka Sote. Even so, the music found within is as wild and vivid as anything I could have hoped for and a decent enough introduction to some of the ideas at work in avant-garde Iranian music.
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Tarab, "Wind Keeps Even Dust Away"

cover image This is the second release from Eamon Sprod's field recordings project and a wonderful collection of sound collages. In spite of a fairly hackneyed premise (the beauty in decay), he has created a number of fragile compositions that wander somewhere between Chris Watson's clear recording style and Francisco Lopez's disorientating approach to presenting sound.
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Maëror Tri, "Ambient Dreams"

Before becoming Troum, Stefan Knappe and Martin Git, plus Helge Siehl, operated as Maëror Tri, releasing a slew of strange, dark albums in limited runs on cassette. Ambient Dreams first appeared in 1990 in an edition of only 18 copies but finally gets a wider release in its CD debut. Using only natural sound sources without electronics, the group crafts an eerie and gripping recording that still sounds startlingly fresh today.
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Zeni Geva, "Maximum Money Monster"

The music of Zeni Geva has variously been described as heavy metal, noise rock, math rock (apparently because of their use of atypical time signatures), death metal, thrash metal, sludge metal, doom metal and industrial metal; in truth it is all of these categories while at the same time travelling far beyond the trite parameters and restrictions usually associated with them. Maximum Money Monster originally debuted in 1990 and here includes three extra live tracks as bonus material.
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Genocide Organ, "Remember"

cover imageSome nine years ago I remember hearing much about this German industrial/power electronics band, mostly about their ultra limited LPs that fetched exorbitant amounts on the then-nascent eBay, so they instantly had cult appeal.  Dear reader, remember: this was before the days of widespread file sharing, commonplace CDRs, etc,...  So I was unable to actually hear what all the fuss was about until a friend recorded me (to MiniDisc, no less), a copy of the double live LP Remember, which I instantly remember loving.  Fast forward a few years and their entire discography is online, and I remember feeling let down once I heard these original albums.  They're not bad by any means, but they didn't quite live up to the hype that had been generated.  Now, ten years after its original release, Remember is reissued on CD, with 18 minutes of extra material recorded between 1997 and 2000.
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Suzuki Junzo, "Pieces for Hidden Circles"

cover image Compared to the other releases in the ARC series, Junzo's work stands out as being one that is very different in style and approach. Rather than seeming overly experimental or esoteric, it instead goes for an acid tinged psychedelic approach to folk and blues that still manages to convey its own sound. It isn't as dark as some of the previous discs in the series, so it would seem that ARC releases are ending on a slightly brighter note. However, there is a great deal of emotion and passion felt in the minimal guitar strums and chords.

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