Brainwashed Radio: The Podcast Edition

Cow in Maui from Veronika in Vienna

Two new shows just for you.

We have squeezed out two extended release episodes for this weekend to get you through this week. They contain mostly new songs but there's also new issues from the vaults.

The first show features music from Rider/Horse, Mint Field, Robert Aiki Aubrey Lowe, Anastasia Coope, ISAN, Stone Music, La Securite, Bark Psychosis, Jon Rose, Master Wilburn Burchette, Umberto, Wand, Tim Koh, Sun An, and Memory Drawings.

The second episode has music by Laibach, Melt-Banana, Chuck Johnson, X, K. Yoshimatsu, Dorothy Carter, Pavel Milyakov, Violence Gratuite, Mark Templeton, Dummy, Endon, body / negative, Midwife, Alberto Boccardi, Divine.

Cow in Maui from Veronika in Vienna.

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Mammal, "Lonesome Drifter"

Better known for his electronic rhythm and bruise work, Mammal's Gary Beauvais moves his project into loner doom blues territory. Not as radical as move as it first reads, Mammal may have changed their palette for a bass and guitar but it is still steadily brooding and unsettled work. The electronic ruts are gone in favor of stringed instrument grooves, his music channelled into a gloomy simplicity.
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M√∫m, "Go Go Smear The Poison Ivy"

It is reasonable to suggest that Múm are currently in a period of transition. If that's the case, they might choose to linger in this languid and childlike pop ecstasy.
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Akron/Family, "Love Is Simple"

Akron/Family's best material can be found here. Their varied musical proclivities mingle with one another effortlessly; their songwriting is stellar and their performances even better. Their most outstanding record is this one and it's a cycle dedicated to the only mystery on equal footing with death: love.
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Cloudland Canyon, "Silver Tongued Sisyphus"

cover image The latest release from Kip Uhlhorn and Simon Wojan's Cloudland Canyon is far too brief which means that each precious moment on this CD is cherished more than ever. The two pieces on this EP are astounding; both are slowly evolving epics with a heavy hint of Krautrock under a very modern sheen. The end result can only be described as cosmic.
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Sandro Perri, "Tiny Mirrors"

Throughout the history of life, humans are faced with the mortality of our parents, it's simply natural that we outlive our parents if everything goes normally. However, I can't think of anybody who is or was quite ready to deal with the life altering effects that extreme illness (an aggressive "terminal" cancer) has on everybody close. After weeks of dealing on a daily basis with medical uncertainty, insane drug side effects, mental instability, and a "care" system which ejects patients prematurely from necessary hospitalization, I finally had a window of opportunity for a break, and Tiny Mirrors will live forever in my memory for the soundtrack for that weekend.
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Deepchord Presents: Echospace, "The Coldest Season"

As dub techno continues its vibrant resurgence, there have been few releases in electronic music more anticipated in 2007 than this one. Having already achieved significant attention with Andy Stott's critically acclaimed Merciless and its accompanying singles, Modern Love, a recording arm of the magnificent online shop Boomkat, will only see its stock rise (or perhaps, in inventory terms, fall) with this release.
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Vic Chesnutt, "North Star Deserter"

cover image It is a long time since I have heard Vic Chesnutt, first becoming aware of him like I would expect many people my age did by way of a tribute album in the mid-90s bought on the strength of the artists covering him. That this is his 11th album is a big surprise and listening to it I lament not giving him the attention he obviously deserves previously. This album is filled with tender, witty, funny and heart wrenching moments of lyrical clarity.
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Kites, "Hallucination Guillotine/Final Worship"

cover imageThis one-man noise project opts to not lean on the more "rock" elements of some of his contemporaries such as Wolf Eyes and instead goes for an early industrial and vaguely krautrock vibe that sets this disc apart from others in the genre.
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Tim Feeny/Vic Rawlings, "In Six Parts"

Writing brief and delicate music at a time when epic bombast was the norm, Satie's compositions would go on to become some of the most influential of the 20th century. This disc presents some of his best-known work as well as a few pieces that are less frequently heard but no less enthralling.
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Joshua Convey, "Vacant Integument"

cover image Another installment in the label's "Arc" series, the debut release from this NY based artist is a study in bedroom recording, a simple and lo-fi, yet captivating work of experimentation.
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