Brainwashed Radio: The Podcast Edition

Aurora Borealis image from California by Steve

Look up

Music for gazing upwards brought to you by Meat Beat Manifesto & scott crow, +/-, Aurora Borealis, The Veldt, Not Waving & Romance, W.A.T., The Handover, Abul Mogard & Rafael Anton Irisarri, Mulatu Astatke, Paul St. Hilaire & René Löwe, Songs: Ohia, and Shellac.

Aurora Borealis image from California by Steve.

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Jonathan Coleclough & Andrew Liles, "Torch Songs"

There may not be a more satisfying album than this released all year. Wound tight around the spine of a clear idea is a simple and elegant network of art, music, and performance cemented in wonder. Torch Songs is firm and tangible: a mass of skin, muscle, and bone that strikes and, in striking, cuts a path from earth to the stars.
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Demons, "Frozen Fog"

Someone better give Mrs John Carpenter a phone call and tell her someone dug up her husband and taped his rotted ass to stack of synthesizers. Of course, John Carpenter isn't actually dead yet, but this duo of Nate Young (Wolf Eyes) and Steve Kenney (Werewolves) fill this vinyl with the kind of sounds that his wired-up and bloated corpse would expel from its disc drive.
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Motor Ghost, "A Gold Chain Round Her Breast"

Motor Ghost consists of Alex Neilson and Ben Reynolds and this limited edition LP is their first recording. It is an impressive document; their playing is challenging and full of life. A Gold Chain Round Her Breast is not always my cup of tea but it is captivating and surprising in equal measure. Most of the pieces sound much larger than a two piece, both musicians being highly adept at what they do means that they avoid the usual thinness of a guitar and drums duo.
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Dubblestandart, "Immigration Dub"

Like labelmates Noiseshaper, the aptly named Dubblestandart operates in a space metaphorically and geographically outside of dub reggae.  Whereas the trailblazing, crossreferencing On-U Sound roster managed to strike a balance between the integrity of its Jamaican forefathers and the promises of forward-thinking pop, this Austrian band has yet to earn the right to do little more than skulk under Adrian Sherwood's mighty shadow.
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Cyrus, "From The Shadows"

Those seeking Burial style experimentation wont find it on this dubstep producer's full-length debut.  Far more comfortable representing the dancefloor, the up-and-coming artist uses his time on plastic to submerge listeners in a black sea of uneasy darkness and bass.
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Jessica Bailiff, "Old Things"

Only four full albums into her solo career, Jessica Bailiff has already racked up enough rare and unreleased tracks to put out a compilation that succeed where most fail. It manages to stand on its own as a coherent work of a developing artist rather than a mismatch collection of oddities. 
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Directing Hand, "Beast In"

Taking a sidestep from Directing Hand’s vision for folk forms and improvisation, this live set is a collective's ecstatic field holler for escaping reality. Recorded at 2005's Glasgow Instal festival with a cast noise/free luminaries such as Dylan Nyoukis, Phil Todd, Karen Constance, Ben Reynolds and David Keenan, Alex Neilson leads a 30 minute charge of the doors of constraint.
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Directing Hand, "Beast In"

Taking a sidestep from Directing Hand’s vision for folk forms and improvisation, this live set is a collective’s ecstatic field holler for escaping reality. Recorded at 2005’s Glasgow Instal festival with a cast noise/free luminaries such as Dylan Nyoukis, Phil Todd, Karen Constance, Ben Reynolds and David Keenan, Alex Neilson leads a thirty minute charge of the doors of constraint.
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Astral Social Club, "Super Grease"

This vinyl-only companion to Astral Social Club's Neon Pibroch album, also on Important, is the equal to its more readily available CD counterpart. Balancing organic techniques with digital tools like he just originated the perfect formula, Neil Campbell has truly found his calling with his ASC project.

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Num9, "The Glow-Worm's Resistance"

Coque Yturriaga has plenty of ideas, but lacks the methods necessary to execute them well. Sprinkled throughout his confused, often muddy compositions and flat sounds are brief moments of beauty and impressive innovation, but they are too rare to save this record from being more than the first, tentative steps of his solo career.
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