Brainwashed Radio: The Podcast Edition

Aurora Borealis image from California by Steve

Look up

Music for gazing upwards brought to you by Meat Beat Manifesto & scott crow, +/-, Aurora Borealis, The Veldt, Not Waving & Romance, W.A.T., The Handover, Abul Mogard & Rafael Anton Irisarri, Mulatu Astatke, Paul St. Hilaire & René Löwe, Songs: Ohia, and Shellac.

Aurora Borealis image from California by Steve.

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MUSLIMGAUZE, "SYRINJIA"

The late Bryn Jones was rightly notorious for his extreme prolificacy:a characteristic that incredibly, does not seem to have slowed down atall since his demise in 1999. In addition to the mountains of new musicthat has been dusted off and released in the past five years, therehave also been many reissues of previously limited edition releases, ofwhich Syrinjiais one.
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Pinback, "Summer In Abaddon"

After tooling around with their sound on recent releases in search ofthemselves, Pinback have finally crafted what may be the best slice ofindie pop ever created. They've certainly always had the elementsright: hook-driven melodies, a playful sensibility, the right effectsfor the right moments, and a perfect mixture of instruments to choosefrom track after track.
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Lab Waste, "Zwarte Achtegrond"

Lab Waste, the nom de collaboration of Los Angeleans Thavius Beck andSubtitle, have mated the rap set with the digital age on their oddlytitled full length debut, Zwarte Achtegrond("Black Background" in Dutch). Appropriately modern, to make theirmusic they eschew two turntables and a microphone for two Apple G3s anda veritable shopping list of samplers, mixers and gadgets that would bethe drooling envy of any A/V club.
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The Soft Pink Truth, "Do You Want New Wave or Do you want..."

On his latest collection as The Soft Pink Truth, Drew Daniel attemptsto answer the famous question posed by The Minutemen while negotiatinga postmodern marriage of heaven and hell.
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Sun City Girls, "Carnival Folklore Resurrection Radio-98.6 is Death"

Sun City Girls are heroes of the Attention Defecit Disorder generation.This 57 minute collage, prepared for broadcast on WFPK in Louisville,Kentucky, presents everything from found dialogue to snippets offamiliar songs to live playing to absurd skits in rapid-firesuccession.
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Tom Waits, "Real Gone"

While maintaining the typical uncompromising method to creating music,which is after all much of what makes Waits what he is, he perhaps goesa bit too far. For the first time in his career, he abandons keyboardinstruments. Instead, he is accompanied by a drove of weird noises,from bells, whistles, hisses and what sounds like banging on pots andpans to industrial clanging and leaky pipes hizzing, to humanbeatboxing, which Waits performed and recorded on a cheap tape deck inhis bathroom.
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TUSSLE, "KLING KLANG"

And then there was Tussle, the latest in a succession of bands honingin on the resurgence of interest in bands like Liquid Liquid, Pigbagand 23 Skidoo.
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MASTER MUSICIANS OF BUKKAKE, "THE VISIBLE SIGN OF THE INVISIBLE ORDER"

The Master Musicians of Bukkake take their name from the famous2,000-plus-year-old Moroccan band, replacing the traditional "Joujouka"with "Bukkake," a Japanese term for a particularly vile form ofpornography, which I won't describe here, except to say that ininvolves a large group of men doing something rather humiliating to onewoman.
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Judee Sill, "Heart Food"

JUDEE2Released in 1972, Judee Sill's second album is very much in the same mold as her debut. However, for this, Sill took greater control over the production and orchestral arrangements as David Geffen granting her complete artistic control. The result is an album full of arrangements that are a closer match with her cosmic lyrics—celestial vocal harmonies, baroque horns and church organ, shades of gospel music and the ever-present vocal multitracking that is Judee's trademark.
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Judee Sill

JUDEEThe 1970s was the decade of the singer-songwriter: a golden age in which anyone with passable guitar skills, decent vocal ability and a handful of good songs could land a recording contract. But just as in every other era in popular music, the most original artists tended to be largely ignored in favor of easily digestible, crowd-pleasing pap. In a decade in which Joni Mitchell and James Taylor were selling out football stadiums, an artist like Judee Sill had no chance.
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