Most attendees at a Suicide concert these days would claim to respect the "work" of the streetwise electronic innovators—provided that said "work" consists of their confrontational eponymous debut and, possibly, their glorious Ric Ocasek helmed sophomore album. I, on the other hand, am a Suicide fan, one who eagerly pounces on the members' infrequent solo albums with the same vigor as I did the reissues of their underrated third and fourth records. Simply receiving a copy of this release in the mail was a perverse joy unto itself.
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