There’s still something about split seven-inches that carry a buzz of discovery. It’s even better when both acts follow dissimilar visions instead of the label going for the safe option of similar sounding acts.
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If it was 20 years earlier, an album like this wouldn't havesurprised anybody by popping up on Paisley Park Records, as it's gotsome sort of fragile white soul that Prince seemed to frequently chase and salivate over,but the fact that it's been released on Temporary Residence, a labelknown more for instrumental guy-rock, is a bit of a surprise. 
Pressed on gold vinyl and packaged in a black sleeve with gold print depicting Medieval interpretations of the apocalypse, Angel Coma looks like it’s going to be heavy. Each side contains a single, long track, one by each band. Both tracks were recorded with the current lineups from the bands; Sunn O))) including vocals via Xasthur and noise provided by John Wiese and Oren Ambarchi; Earth being the Hex lineup of Carlson and Davies plus three.
It's been written that this ground has been walked on before, but such a statement is an ignorant one that fails to acknowledge the finer moments of Chihei Hatakeyama's work. These recordings are anything but common, exhibiting an unusual attention to detail that surpasses the efforts of many like-minded musicians. Hatakeyama's work practically defines how musicality and expressionism can work well together.
Tsunoda is one of my favorite artists working with fieldrecorded media mainly because of the way in which his body of work tests thedefinitions and possibilities of “environmental” sound or music.
Imust confess that Andrew Chalk has been scoring my ritual eveningrelax/unwind "me-time" almost exclusively for the last few weeks. The newest release is exceptionally fantastic, reminding me why peoplepay outrageous amounts for his releases at online auctions.
Behind all the bells and whistles singing and stretching across every second on this album is a beautiful, childlike song. The duo of Jason Frederick Iselin and Jeffrey Wentworth Stevens wrestle with unconventional sound and pop, folk, and classical sensibilities over the duration of Things Past. The tension that plays out between the odd and the familiar opens up a stream of ornate and soft music both catchy and laden with little treasures just waiting to be unearthed.
Embracing true digital designs, Loscil harnesses the internet-as-merchant age and offers a new album for free download called Stases. Though Scott Morgan has never eschewed album leitmotifs, he employs one here which is more nebulous than his previous explorations in the submarine, the geographic, and the thermodynamic.
The material on Music for a Spaghetti Westernwas recorded backin 1985-86 but not released until about 10 years later. ThankfullyKlanggalerie are keeping it from the tragedy of being lost to the ages,for now at least. 
In the wake of 2004’s Your Blues, Destroyer’s Rubies seems to bea stark 180 turn from the former's MIDI and synth drenched sound. Thesound on this record is lush and organic, recalling early '70s artrockers like Bowie, T. Rex and Roxy Music. And while Daniel Bejar andhis band provide the songs with a solid musical, he takes a page fromthe post-modernism handbook, imbuing his songs with a grand sense ofpurpose, yet inserting word games and nonsensical imagery as a counterpoint.
