In the late '70s and early '80s, German-based art collective Head Resonance Company used throbbing electronics, bass guitar, and metal percussion as a major component of its multifaceted endeavors, which included multimedia installations, performance art, graphics, and concerts. This CD/DVD set collects tracks that were originally released only on vinyl a few years back and documents the group's wide-ranging activities throughout the various stages of their fascinating history.
Look up Music for gazing upwards brought to you by Meat Beat Manifesto & scott crow, +/-, Aurora Borealis, The Veldt, Not Waving & Romance, W.A.T., The Handover, Abul Mogard & Rafael Anton Irisarri, Mulatu Astatke, Paul St. Hilaire & René Löwe, Songs: Ohia, and Shellac. Aurora Borealis image from California by Steve. Get involved: subscribe, review, rate, share with your friends, send images!
|
For their second Strange Attractor album, Niels van Hoorn and Richard van Krusdijk enlist an array of guest voices, including those of David J, Graham Lewis of Wire, Tuxedomoon's Winston Tong, and Peter Christopherson's Threshold Houseboys Choir. This venerable cast of characters makes music that lingers in the shadows, like something overheard spilling from an unmarked speakeasy in a darkened alley.
Re-master of the 1984 album, a more muscular production than Seven Songs and a pull back from the sonic tribal barrage of The Culling is Coming. Urban Gamelan comes with 12" singles “Coup” and “Language” (and their dub mix b-sides) as well as a beautiful and copious booklet.
Technically, Susanna and her accomplices have once again brilliantly reinvented a handful of internationally popular songs with a minimal amount of instruments, finely treated: piano and organ, guitar and pedal steel, and subtle drums all make way for her uncomfortably direct vocals, executed with perfect precision. Emotionally, however, this is perhaps one of the most painful releases of the year to listen to. Susanna sings with so much weight and conviction that I find myself nearly in tears, horrified during every second of these 14 songs (...and I love it).
This is the third live album from Will Oldham in as many years and out of the three, this one is the best. An excellent recording care of the BBC, Oldham and his backing band for the small tour are on fire. The original radio broadcast made its way to the Internet a while ago but like most downloads on my hard drive it remains unlistened to. I am sorry I did not listen to it as this CD has proven to be astounding in its beauty and perfection.
23 Skidoo's debut has been given another chance with this much deserved reissue. Their sinister ethno-funk industrial-dub blueprint remains an essential listen and their suspicion of commercial success seems both quaint and prophetic.
Eyeless in Gaza's latest release is a two-album set bundled in a colorful and lavish hinged box. The discs each come in an oversized, book-bound jacket and, along with a thick lyric booklet, make for an impressive package. It's a shame, then, that the music isn't nearly so stunning as the presentation.
After the dissolution of the Incredible String Band in 1975, co-founder Robin Williamson relocated in Los Angeles and began writing songs for what would become his second solo album after 1972's Myrrh. Recruiting members for his Merry Band, Williamson returned to Celtic and British traditions to create songs of mood-based storytelling. In addition to the album proper, this reissue includes ten previously unreleased demos cut with Stan Schneir of latter-day ISB that are every bit as good as the album itself.
A reissue of a reissue, this newest version of the band’s original singles collection couples most of the tracks from the original vinyl issue, as well as the separate Just Like Everybody Part Two from the late 1980s to create a definitive anthology of material. Along with the two other reissues by LTM, this not only presents the classic material, but also most of the tracks from the previous The Gospel Comes to New Guinea compilation (the remainder of witch are scattered on the other releases). Such a sprawling track list is good in some ways, but in others feels a bit too long.
Honest Jon's third compilation of early 78s from the EMI Hayes Archive is an eclectic survey of the collection, spanning enough time and geography to cover a lifetime of travel. The selections date from 1903 to 1957 and cross the globe many times over. No dull history lesson, this is vibrant music of uncommon beauty.
