Jan St. Werner (of Mouse On Mars) and Markus Popp (of Oval) have cooked up a third offering of glitchy, cryptic ambience for us, this time without all the rhetoric about music as software and digital revolutions in musical composition.
 
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Jan St. Werner (of Mouse On Mars) and Markus Popp (of Oval) have cooked up a third offering of glitchy, cryptic ambience for us, this time without all the rhetoric about music as software and digital revolutions in musical composition.
 
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For two nights in a row, loads of folks made their journeys, some near and some far, through the blistering cold temperatures to witness Stephin Merritt and company perform all 69 Love Songs. Both nights sold out long ago at the classical-style Somerville Theater in the Boston area. On stage in addition to the four core musicians were the three guest singers who appear on the albums. For the first night I witnessed something rather unexpected.
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