Brainwashed Radio: The Podcast Edition

Rubber ducks and a live duck from Matthew in the UK

Give us an hour, we'll give you music to remember.

This week we bring you an episode with brand new music from Softcult, Jim Rafferty, karen vogt, Ex-Easter Island Head, Jon Collin, James Devane, Garth Erasmus, Gary Wilson, and K. Freund, plus some music from the archives from Goldblum, Rachel Goswell, Roy Montgomery.

Rubber ducks and a live duck photo from Matthew in the UK.

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Busdriver, "Fear of a Black Tangent"

Imagine if Afrocentrist poet and playwright Amiri Baraka was born abouta half century late and instead of a pen he carried a mic.
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BEEQUEEN, "AUGHTON - THE PATIENT BOOKS"

This new LP on Beta-Lactam makes an interesting companion piece to Beequeen's recent Important Records album. Where The Bodyshopwas a milestone for the work of Freek Kinkelaar and Frans de Waard withits unexpected emphasis on melody, structure and songcraft, Aughton—The Patient Booksis much more familiar Beequeen territory—organic drones, submergedloops and moody atmospherics.
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L/A/B, "Psychoacoustics"

Petri Laukka, Jonas D. Aneheim, and Henrik N. Bjorkk claim that theserecordings are the result of live improvisations on various machinesand electronic devices. The result of their work is a 15 track "album"of static, harsh detonations, bubbling soups, and metallic shuffles. Ihesitate to call this a true album because each of the tracks seemsfirmly separated from each other; the only uniting factor being themusicians that made them and the manner in which each track wasconstructed.
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"Teeth"

The Statler & Waldorf label wanted to kick things off with asampler based around the concept of European electronic musiciansworking with the theme of hip hop. Were this not an already a redundantassignment given the world-wide cribbing of hip hop mannerisms in allforms of electronica, it might seem like an interesting cross-culturalexperiment.
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William Basinski, "Variations: A Movement in Chrome Primitive"

Old compositions from when an artist first began recording music aren'talways of musical interest. It may be nice to have a document of acomposer's work from a particular period, but this double CD release ofsome of William Basinski's earliest compositions is hard to justify asa whole. Basinski's music seems to be perpetually painted in thefeeling of melancholy; these eight pieces are, at times, painfully sadand emotive of only the deepest and most excruciating reflections.
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Six Organs of Admittance, "School of the Flower"

Ben Chasny's debut album for Drag City is the culmination of all of his work as Six Organs of Admittance up to this point. I first saw Chasny perform as Six Organs at 2002's Terrastock festival, and heard his album Dark Noontide soon after. I was struck at that time by his intuitive technique on the acoustic guitar, and the fuzzy blanket of drones that rippled underneath his extended instrumental excursions. Each release since has been stronger than the last, but every one of them seemed oddly transitional, as if Chasny hadn't yet settled on a comfortable repertoire of techniques.

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"What's Your Function? - A tribute to franco battiato"

Franco Battiato is one of the most unfairly underrated and habituallyignored composer/musicians of the last few decades. The strength of hismaterial plus the careful selection of bands on What's Your Functioneasily rank this in my mental 'top list' of all time favorite tributealbums despite being one of the worst cover/packaging/font jobs ever.
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März, "Wir Sind Hier"

März is part of the legacy nurtured by the likes of Phil Spector, BrianWilson, Brian Eno, and Cornelius; they are bedroom savants and esotericenthusiasts, studio hermits shyly convinced of their place among theranks of pop royalty. But while for Eno the pop format served as theschizophrenic outro to his feather boa phase and the harbinger ofthings ambient and self-contained, März instead chooses the oppositepath.
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Mirror, "Nightwalkers"

This CD is a welcome reissue of one of Mirror's most diverse sets,which was originally issued on vinyl in 2000. The remastering processhas aided this set immensely, as its often quiet atmospheric worlds cannow be heard clearly, without the interference of crackling andpopping.
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Bird Show, "Green Inferno"

Ben Vida is best known for his work in Town & Country, but his newproject is both different from and more alluring than his work in thatband. Without completely removing any sense of song structure oridentifiable melody, Vida has assimilated nine tracks of tumult,clatter, and lamentation built out of edited guitars, toy percussion,jazz influences, and secretive tones.
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