As befits the curious and unpredictable arc of His Name is Alive, this first installment of a planned trilogy of Warren Defever's adolescent/teenage tape experiments is a truly wonderful and bewildering revelation. Defever must have been one hell of a precocious 10-year-old back in 1979, as his formula of combining field recordings, copious reverb, and samples of records played at the wrong speeds would have easily been strong enough to build an entire career on–I daresay it was a positively Basinski-esque flash of inspiration. Instead, however, Defever opted to move onto more song-based work and this side of his artistry was relegated to some dusty, long-forgotten boxes, which I suppose worked out quite well too. These lovely, haunted sounding soundscapes would have made quite a huge impression if they had been released during the band's 4AD heyday though: the liner notes amusingly suggest that Defever accidentally invented shoegaze while trying to make new age music. Fortunately, these elegantly blurred miniatures still sound absolutely wonderful today, even if the window has passed in which Defever might have been hailed as one of the most important and influential voices in ambient music (or as a proto-Slowdive shoegaze savant).
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