The Wardrobe is a collaboration with Sol Invictus driving force TonyWakeford and Andrew Liles; the release more resembles Wakeford's workwith Matt Howden than Sol Invictus. Cups in Cupboard is limited to 500signed copies and is released on Wakeford's own label Tursa.
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The world’s longest serving Bad Seed releases another album of covers. Unfortunately it's not another Serge Gainsbourg tribute, but a collection of songs that Harvey felt a strong connection to by such songwriters as Lee Hazelwood, Tim Buckley and Guy Clark. Without hearing it, I knew exactly what was going to sound like: a depressed cowboy with a drink in one hand and a battered guitar in the other.
All India Radio are not Indian and they are not to be confused with the Indian radio station. In fact they are an Australian electronic band, but its always great to hear that South Asian music and culture is inspiring music artists everywhere. Permanent Evolutions is in many ways a reflection of a new Global South Asian sound that captures an essence that is quite different from South Asian music that was being produced a few decades ago.
Theseare the first steps of a band with a definite goal in mind and thoughsome of those steps are awkward, Capillary Action harnesses the abilityto fuse the wide, wide world of music into something new and exciting.Just so long as they don't screw up and write more tunes like"Scattered Remnants."
Dropping the second release from his Rotten LP series Giffoni brings a chaotic bag of smash and grab noise with a suite of dented robotic sex music and detached damage. The odd choice of title manages to claim individualism and defiance while skirting the inherent hip-hop parody and is represented in the cross section of styles that he turns his bank of electronics to mauling with precision.
This re-release from Andrew Chalk's newly formed Faraway Press imprintwas written for the soul. Its mental and spiritual power can only befelt by the patient, however. Each of them waiting for that moment ofbliss to sink into their bones and erase their minds of the world ofsame-old-shit errands and tasks. That moment of bliss is, of course,defined by the instant that the music puts a blanket over the rest ofthe universe and convinces the listener that it simply doesn't existanymore.
The very mention of a collaboration between Cold Meat Industry heavyweights Raison D'etre and Deutsch Nepal should garner the attention of "death industrial" fanatics, and all but the uninitiated should anticipate hearing essentially what they expected from the duo's sophomore release.
As David Thrussell's Snog project continues to drift further andfurther away from EBM, somewhat recently veering into politicallycharged country/folk music, the abstract technoid funk and industrialinformed experimentation of Black Lung serves more and more as his solelifeline to an otherwise alienated audience.
Lets just ignore the hype surrounding doom/black/dark/atmospheric/etc. metal for a second and pretend that this approach to making music is a powerful musical tool. A tool akin to an epic-maker in a can.
Effacement is quite a divergence,and I think an improvement, on the work I’ve heard from Korber. Like so many Swiss and Viennese before him,Korber is most easily lumped in the microsound category: digital music rifewith microscopically-distanced sound fragments and closed silences, though lesspulverized towards a glitchist all-over-ness than instead dissected andlaboriously sutured into a celebration of nuance, the notes of the noise ratherthan the noise between the notes.
