Brainwashed Radio: The Podcast Edition

Cow in Maui from Veronika in Vienna

Two new shows just for you.

We have squeezed out two extended release episodes for this weekend to get you through this week. They contain mostly new songs but there's also new issues from the vaults.

The first show features music from Rider/Horse, Mint Field, Robert Aiki Aubrey Lowe, Anastasia Coope, ISAN, Stone Music, La Securite, Bark Psychosis, Jon Rose, Master Wilburn Burchette, Umberto, Wand, Tim Koh, Sun An, and Memory Drawings.

The second episode has music by Laibach, Melt-Banana, Chuck Johnson, X, K. Yoshimatsu, Dorothy Carter, Pavel Milyakov, Violence Gratuite, Mark Templeton, Dummy, Endon, body / negative, Midwife, Alberto Boccardi, Divine.

Cow in Maui from Veronika in Vienna.

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Surf City

There are just about enough thrills on this debut EP to ward off the nagging boredom of another guitar group traversing a well worn musical terrain. In this case: that which might be termed "surf-gaze."
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Aidan Baker, "I Wish Too, To Be Absorbed"

Between his Nadja albums and his solo material, Aidan Baker releases enough music to frustrate all but the most ardent and obsessive collectors. Important Records have just released a two-CD compilation that won't solve that problem, but it features some of the best Baker material I've yet heard.
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Herbst9, "The Gods are Small Birds, but I am the Falcon"

Herbst9 bring into focus the trances and dream-quests of shamans and the primeval connection we all have to the primitive past. Drawing on the vast reservoir of the collective memory of the human species, Herbst9’s Henry Emisch and Frank Merten produce monumental music that simultaneously delves into deep time and memory, as well as the physically unfathomable depths of the subterranean.
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Dance Albums of the Moment 11/9/08

cover image Our increasingly irregular feature looking at crucial new dance music returns this week with reviews of a two-disc DFA/Supersoul Recordings comp, a new collection of Balearic disco, an edits disc by Betty Botox, a mix CD by Optimo and the debut album by Yo Majesty.
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Heather Leigh, "Jailhouse Rock"

Listening to Heather Leigh records is like being abandoned in limbo-like badlands. Very few artists are making this sort of sound world visible, and none are doing it using only pedal steel, voice and harmonica. This Fag Tapes cassette picks up the passengers left stranded in the downpour of her Pot Baby album and takes them further in.

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Ochre, "Lemodie"

Christopher Leary combines beats with orchestral elements in this mostly airy and pleasant album. The songs are all solidly constructed and easy on the ears, but frequently lack distinction. Leary expresses a limited emotional palette on these compositions, and as a result the album is short on personality.

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The North Sea & Rameses III, "Night of the Ankou"

Despite the reference in the title to the collector of souls, this collaboration between ambient trio Rameses III and Brad Rose of Digitalis, a.k.a. The North Sea, eschews the obvious direction of doom and menace. Instead, they journey into frequently blissful territory, with an emphasis on emotional textures that invite introspection and rejuvenation.
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Black Devil, "28 After"

Ridiculously slobbered over by elite geeks as well as the far more fashionable new disco vanguard, the progressive music of Black Devil was allegedly rediscovered after years of obscurity, culminating in a handful of overblown, overlapping releases from Rephlex.  Irrespective of the convuluted backstory's validity, original member Bernard Fevre's return after roughly three decades manifests itself as this nebulous collection of undated, unglamorous tunes.
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Hototogisu + Burning Star Core, "Volume One"

This disc, the first of two collaborative volumes, is the live studio seed of Hototogisu and Burning Star Core, and stands as tall as the best of their own work. Creating something beyond their usual repertoires, this five-tracker collaboration sees both acts oozing into one five-brained monster. These are not the usual furious black-outs or dolorous droning jeremiads of much underground collaboration.

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Northside, "Chicken Rhythms"

Admittedly, I have a bit of a love-hate relationship with Les Temps Modernes.  Founder James Nice has an unshakeable blind passion for '80s proto-electronica, post-punk, and anything Factory Records ever considered releasing.  What this translates to is a reissue program comprised of lost classics, adequate relics, and unearthed turds.  Chicken Rhythms falls squarely into that middle category.

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