Writing brief and delicate music at a time when epic bombast was the norm, Satie's compositions would go on to become some of the most influential of the 20th century. This disc presents some of his best-known work as well as a few pieces that are less frequently heard but no less enthralling.
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Portland-based artist Daniel Menche deconstructs the organ and trumpet on this latest album, yet little of the resulting work reflects these instruments in obvious ways. Instead, these four tracks sound like mechanical insects mating with pink noise and then giving birth to an apocalyptic swarm.
Another installment in the label's "Arc" series, the debut release from this NY based artist is a study in bedroom recording, a simple and lo-fi, yet captivating work of experimentation.
Zero have made an odd, joyful and coherent debut, despite lurching from post-rock tension to whimsical melody, covering Devo, and borrowing vocal styles from at least two eccentric Englishmen.
This is the least modern sounding new release of the year. Rick Tomlinson's Voice of the Seven Woods creates druggy, foreign sounding psychedelica that sounds like it was performed 30 years ago in some unknown, possibly mythical, land. The ten pieces exemplify all that is good about the guitar and all that is holy about music.
This recording of a partial Wolf Eyes reunion line-up, ex member Aaron Dilloway joining Nate Young and Steve Kenney's Demonic duo, shows that chemistry doesn't ever dissipate. Using synths more as manglers of notes rather than creators or melodies, this 2007 show sees a swollen Demons absorb Dilloway into their mass like they were The Blob back in 1958.
David P. Madson continues his explorations in musical collage with this dense mix of chance sounds, "real" instruments such as Dee Kesler's guitar, samples, and the voices of such guests as Jessica Bailiff and TV on the Radio's Tunde Adebimpe.
