Brainwashed Radio: The Podcast Edition

Mountain in Japan photo by Chris

Three new episodes for your listening enjoyment.

After two weeks off, we are back with three brand new episodes: three hours / 36 tunes.

Episode 697 features music from Beak>, Brothertiger, Kate Carr, Gnod, Taylor Deupree, FIN, Church Andrews & Matt Davies, Ortrotasce, Bill MacKay, Celer, Kaboom Karavan, and Ida.

Episode 698 boasts a lineup of tracks from Susanna, Nonpareils, KMRU, A Place To Bury Strangers, final, Coti K., Dalton Alexander, Akio Suzuki, The Shadow Ring, Filther, Aaron Dilloway, and Ghost Dubs.

Episode 699 is bursting at the seams with jams from Crash Course In Science, Chrystabell and David Lynch, Machinedrum, Ekin Fil, Finlay Shakespeare, Actress, Mercury Rev, Dave Brown / Jason Kahn, øjeRum, d'Eon, Jeremy Gignoux, and Shellac.

Mountain photo taken in Japan by Chris.

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Pearls Before Swine

coverFinally available to the general public on DVD, this movie is the quintessential film for any hardcore Boyd Rice/Non and Death In June fan. However, it's hardly any wonder this film only did the festival circuit and never went out to a widescale release.
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Shogun Kunitoki, "Tasankokaiku"

This is the debut release from a quartet out of Helsinki who play buoyant instrumental electronic music. Swift and without a beat, the songs are like rushing rivers of tones and simple patterns. Since there aren’t necessarily any new sounds or styles to be found here, the songs are carried more by the band’s sheer exuberance.

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Christian Wolfarth, "Wolfarth"

As a kid I loved banging on things and making loud, annoying noises. I'd hit metal pans together, click my tongue, whistle, holler, and stomp my feet, twiddle my fingers on plastic bins, jiggle door handles, and make all sorts of funny sounds with my throat. It was a blast. Apparently that sort of attitude towards random sounds has stuck with percussionist Christian Wolfarth throughout the years.
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Loscil, "Plume"

Scott Morgan's greatest ally may very well be understatement. His work sits comfortably next to many of his label mates, especially Lichens and Bird Show, both of whom utilize unusual sounds and quiet drift to highlight the beauty of their melodies and rhythms.

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Hanne Hukkelberg, "Do Not As I Do/Break My Body"

"Do Not As I Do," the latest single from Hukkelberg’s 2005 album Little Things, has everything I could hope for in a pop song: a good voice, original lyrics, and a memorable chorus.

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Sunroof!, "Splat!"

This Sunroof! docking with satellite ecstatica continues Matthew Bower’s exploration into the brighter side of drone experimentation. This is one of the best places yet to begin to attempt to keep up with Bower’s worldview and schedule. Programmed as a single track yet built out of many chunks of separate jams and studio tinkering this continues the Sunroof! tradition of gorgeously excessive bliss up against a sense of playful freedom.
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Diskaholics, "Live in Japan, Vol. 1"

So much of what Jim O'Rourke does is impossible to predict. His music either entices or disgusts and typically fluctuates between radical experimental work and more conventional "pop" records. With Mats Gustafssen and Thurston Moore in tow the result is akin to mechanical ambience: music that's probably best left ignored, but that announces itself too powerfully to be placed in the background.
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Charalambides, "A Vintage Burden"

Tom Carter made a revealing statement in his Eye interview, claiming that Charalambides has always been a fairly direct band. Whether they sound mysterious or not, returning to their material with this in mind has been an eye opener. On Charalambides' latest record, the band sounds more confident than ever, directing their energy into a powerful piece of musicianship, passion, and vision. and also recording what happens to be their best album to date.
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Compass, "Munchy the Bear"

coverDavid Goodman was the bassist in the Boston band Lockgroove who was taken over and replaced by Dave Doom, traversed the northeast, gathering sounds and, unlike every academic sound gathering world traveler, has woven a fun and diverse pop/post-pop album instead of some boring bit of stuffy nonsense. Munchy the Bear is one of the most fresh and original debut albums I've ever heard.
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Manual, "Bajamar"

Jonas Munk is a talented musician, producer, and texturalist. As Manual, his recordings are warm, the guitar hums are deep, and the sounds of waves and wind chimes are dreamy and picturesque like a summer day on the beach with the hot sun beating down and a cool, cleansing sea breeze gently passing through. All it needs, however is a hook.
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