An ATP-sponsored reunion of the dormant Aussie post-punk band is a revelation, and this live album shows just how many of the bands you know nicked from the Scientists' legacy. While packaged like a best of compilation, Sedition is actually the document of a May 2006 performance at the All Tomorrow’s Parties festival. It covers their own "best of" material from their nine year career and it can easily function as such because the band still plays as tightly as one who never took any sort of break.
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For those in need of a disc to spin this coming Halloween to scare the children, or simply can't get enough of clanging percussion and synth noise, this may fit the bill. For the rest of us…not so much.
This sixth album is another firm step forward for Ectogram. While still firmly rooted in the Krautrock and post-punk spirit that is their hallmark, they keep pushing their albums into new places, challenging themselves and creating a treat for us in the process. It is easy to get lost in this album for hours; the eight songs that make up this album are meticulous in terms of sonic texture and each listening experience is full of new surprises. Not only that but Fluff on a Faraway Hill is fun too.
Since 1934, Fuentes has been the premiere record label of Colombia, home to the country’s rich legacy of music. Covering the years from 1960 to 1976, this compilation is instantly likeable and very enjoyable throughout, highlighting some of the best work from the Fuentes vaults.
It would hard to live up to the level of anticipation surrounding this debut from Brazilian producer Gui Boratto after his string of tantalizing singles, so I wasn't surprised when it didn't quite meet my expectations. There are plenty of enjoyable moments, but not nearly as many as there should be.
Schneider TM attempts to broaden the palate with the help of Max Turner and grandmother Edith Kuss. Thankfully he doesn't abandon the machine-like vocal tendencies that can be so endearing. Not everything works on Škoda Mluvit, but there are moments of bliss and fun.
Repackaged, remastered and reissued with a 13 minute bonus track, this mighty release from Kevin Drumm sees the dark of night again. The five pieces are more varied and exciting than I believed noise could be; this is no lazy DIY noise made with a handful of effects pedals plugged into each other. Drumm has molded this immense sound into such an imposing form that I do not think even an army of Merzbows could stand up to.
Their fourth album sees Grails continuing to go from strength to strength. Even after last year's excellent Black Tar Prophecies collection I am completely gobsmacked at how far Grails have come on in such a short space of time. The title of the album is particularly apt as the group have shed all unnecessary fat from their sound. There is not a misplaced note or tone on this album, this definitely sounds like Grails have sold their souls at the crossroads in exchange for untold amounts of talent.
