Brainwashed Radio: The Podcast Edition

Cow in Maui from Veronika in Vienna

Two new shows just for you.

We have squeezed out two extended release episodes for this weekend to get you through this week. They contain mostly new songs but there's also new issues from the vaults.

The first show features music from Rider/Horse, Mint Field, Robert Aiki Aubrey Lowe, Anastasia Coope, ISAN, Stone Music, La Securite, Bark Psychosis, Jon Rose, Master Wilburn Burchette, Umberto, Wand, Tim Koh, Sun An, and Memory Drawings.

The second episode has music by Laibach, Melt-Banana, Chuck Johnson, X, K. Yoshimatsu, Dorothy Carter, Pavel Milyakov, Violence Gratuite, Mark Templeton, Dummy, Endon, body / negative, Midwife, Alberto Boccardi, Divine.

Cow in Maui from Veronika in Vienna.

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Elsworth Cambs, "Allusions of Grandeur"

Following last year's delightful Leaf or Tree, Stephen Banville's group return with another 3" CD packed with wonderful songs. Elsworth Cambs sound surer of themselves compared to their debut; the pieces here all feel more mature and more natural. 

 

 

Slow Loris

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The Angelic Process, "Weighing Souls With Sand"

cover image A couple of years ago, when Justin Broadrick decided to sing instead of shout and focus more on atmospheres instead of riffing, Godflesh became Jesu and an entirely new genre ("shoegaze metal" perhaps) was born.  The Angelic Process have been quick to put their mark on the genre, and this disc is a good effort that is unfortunately hindered by spotty production.
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Brion Gysin, "Live in London 1982"

Recorded over different nights of the Final Academy exhibition, this album features Gysin reading early cut-ups from the time of his early collaborations with William S. Burroughs. Musicians several decades younger than he add a spontaneous excitement to his animated recital, lending this document a vitality that far exceeds its historic value.
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Waldteufel, "Sanguis"

Waldteufel returns to conjure primeval forces deep within forests shrouded in darkness. Using hypnotic tribal percussion, cosmic drones, and unearthly chants, they have created an album of dense Germanic pagan hymns that is both transcendent and mystifying.
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Hrsta, "Ghosts Will Come and Kiss Our Eyes"

cover image The third album from Michael Moya's wonderful group picks up where the last one left off. The nine hymnal songs here are sung from the soul, each one heavy with emotional weight. Moya and company manage to merge melancholy with hope and joy. The end result is an evocative and captivating journey.
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Nordvargr, "In Oceans Abandoned By Life I Drown¬ÖTo Live Again As A Servant Of Darkness"

cover imageFresh after a couple of collaborations with noise god Merzbow, this disc shows Henrik Nordvargr Bjorkk (no relation) balancing the words of electronic drone and harsh noise across two long tracks.
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Christus & the Cosmonauts, "From Atop This Hill"

This group's latest album is a slowly evolving narrative of sorts concerning cyclical transcendental matters, as evidenced with song titles like "Beyond Belief (The Wishful Thoughts of a Pain-Free God)," "Surviving the Fanatics," and "Nod If You Were the Last Man Alive." Even when some of the songs take an inevitably gloomy turn, the journey is still intriguing and sufficiently bizarre.

Beta-lactam Ring

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The Disco Students, "I Beg to Differ"

This double-disc retrospective compiles this Aylesbury group's vinyl releases dating from 1978 onwards and includes recent material as well. Since there have been so many reissues and collections from this time period hitting the shelves over the last few years, I wasn't sure what to expect from yet another one by a band I hadn't heard of. I Beg To Differ turned out to be quite a pleasant surprise because it positively overflows with catchy material.

Yeah! Yeah! Yeah!

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Supersystem, "A Million Microphones"

Having never heard El Gaupo, this band's early incarnation on Dischord, or Always Never Again, their previous album, I had no preconceptions or expectations with A Million Microphones. As a result, I was taken aback at how much I enjoyed these deceptively complex and addictive dance tracks.

Touch and Go

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Vladislav Delay, "Multila"

In the Sasu Ripatti oeuvre, this savagely deep album stands as a hallmark of the producer's virtuosity. Enraptured by his latest album under this moniker, Whistleblower, I take special delight in returning to his long out-of-print Chain Reaction classic and reconnecting with the artist during his rise to infamy. 

 

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