This recently reissued debut offers the tasty fruits from a rare instance where session singers, typically relegated indefinately to the background, claim some time for themselves in the spotlight.
Two new shows just for you. We have squeezed out two extended release episodes for this weekend to get you through this week. They contain mostly new songs but there's also new issues from the vaults. The first show features music from Rider/Horse, Mint Field, Robert Aiki Aubrey Lowe, Anastasia Coope, ISAN, Stone Music, La Securite, Bark Psychosis, Jon Rose, Master Wilburn Burchette, Umberto, Wand, Tim Koh, Sun An, and Memory Drawings. The second episode has music by Laibach, Melt-Banana, Chuck Johnson, X, K. Yoshimatsu, Dorothy Carter, Pavel Milyakov, Violence Gratuite, Mark Templeton, Dummy, Endon, body / negative, Midwife, Alberto Boccardi, Divine. Cow in Maui from Veronika in Vienna. Get involved: subscribe, review, rate, share with your friends, send images!
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This one-sided 10” mini-album is the debut of this San Francisco trio. Brash and playful, the group makes a surprising ruckus out of the unlikely combination of drums, flute, and clarinet.
I came across some Envy records years back and suddenly became ravenous to hear everything put out by the band. They seemed like a succinct Japanese amalgam of a bunch of post-hardcore bands who alternated between the delicate and the demolishing. Screamed vocals, melodic guitar tones, and anthemic songs were all part of the band's DNA.
Another CD released at the group’s recent dates in San Francisco, Rat Tapes One is a compilation of discarded sounds and songs from the past 20 or so years. Unlike something similar such as A Sucked Orange, though, this one feels closer to an album than a collection.
The latest album from Vienna’s B. Fleischmann embraces the electric guitar, especially the characteristically warm and full sounds of the humbucker style pickup. It is an enjoyable if forgettable album. The songs all blur into each other and the album plays through in what feels like an instant; there is nothing of any real interest on it.
Inside this inverse carcass sleeve art comes a slice of fresh white vinyl, a very un-Dead Machines like piece of plastic; most Wolf Eyes side projects look like they’ve been scraped from the walls of a suicide watch art workshop. This is Mr and Mrs John Olson’s most straight and soundtrack-like work to date, managing to upset the neighbourhood’s canine contingent while retaining that trademark low tech malignant sound.
Compiling two separate albums on one disc, this Striborg release is a relatively disappointing affair. Over 70 minutes of pedestrian black metal is not something I need in life.
Jessica Bailiff's fourth full length for Kranky is easily her most approachable work to date. Feels Like Home provides all of the familiar elements of Bailiff's unique songwriting, but in easily-digestible three minute slices.
