Dedicated to David Tibet and made in celebration of Current 93’s 25th anniversary, this single captures the spectral heart of one of Current 93’s defining pieces. Here Andrew Liles reconstructs what was originally the opening volley of Tibet’s Inmost Light trilogy. "Where the Long Shadows Fall" was one of the key moments in Current 93's career. The combination of Tibet's lyrics, some achingly gorgeous music and, most significantly, that haunting loop of the last castrato, Alessandro Moreschi, made for one of the finest 20 minutes of music committed to tape. Only a madman would try and outdo the original but Liles proves he is more than capable on this single.
We made it to 700 episodes. While it's not a special episode per se—commemorating this milestone—you can pretty much assume that every episode is special. This one features Mark Spybey & Graham Lewis, Brian Gibson, Sote, Scanner and Neil Leonard, Susumu Yokota, Eleven Pond, Frédéric D. Oberland / Grégory Dargent / Tony Elieh / Wassim Halal, Yellow Swans, Dental waste in Saigon photo by Krisztian. Get involved: subscribe, review, rate, share with your friends, send images!
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In classic Andrew Chalk fashion, this wonderful new collaboration quietly surfaced last month on an extremely small label (Scott's own Skire imprint) and very nearly slipped by me entirely.  These pieces humbly originated as a few gently rippling, understated piano motifs that Scott composed while preparing for a performance at this year's F.O.N. Fest, but later evolved into something much more when the recordings were handed off to Chalk.  The resulting album is a pleasantly dreamlike, blurry, and spectral affair, approximating a very appealing middle ground somewhere between Harold Budd's liquid-y pastoralism and Morton Feldman's queasily dissonant pointillism.
Kevin Drumm’s 
While it would be unfair to say that Monogamy is not as good as Land of Kush’s previous album, Against the Day, it is fair to say that this present album is not as forgiving as the last one. Sam Shalabi’s combination of Arabic traditional motifs and instruments with jazz, free improvisation and electronics has moved further out to truly stretch any notion of genre to breaking point. Add to that a sense of toilet humor and a deeper conceptual edge and this is an album that makes for an album that will no doubt surprise me every time I listen to it.
This, the final part of David Tibet’s trilogy of revelations that began with Black Ships Ate the Sky, is his most dizzying and hallucinatory work yet. Stripping back the heavy guitars that have been creeping steadily into Current 93’s music, the songs here instead sound like they have been passed down through generations of Middle Eastern folk musicians. From the image of a young Tibet standing in front of Stonehenge on the back of the album to the lyrical themes of eternities, the weight of time hangs heavy around Baalstorm, Sing Omega. This is a surprising and rewarding change in tone for Current 93 that certainly ranks amongst Tibet's finest work yet.
Billed by member Lars Horntveth and Ninja Tune as a Fela Kuti/Frank Zappa/progressive rock hybrid, Jaga Jazzist's latest is even more expansive and inclusive than that description suggests. Unpredictable smatterings of funky bass, over-driven guitar solos, synth jams, Steve Reich-ian hypno-patterns, pleasing stylistic jumps, and a much appreciated sense of humor are all present on One-Armed Bandit and without a single instance of forced splicing or embarrassing technical posturing.
The long-awaited (and almost instantly sold-out) vinyl debut from the less prolific half of Natural Snow Buildings continues Solange Gularte’s fine tradition of dreamlike, disquieting, and temporally dislocated ethno-ambience. While perhaps not as consistently graceful and brilliant as her solo contributions to 2008’s epic The Snowbringer Cult, Modlitewnik is nevertheless scattered with some of her most singular and otherworldly music yet.
Painting a picturesque landscape using nothing but melody and ingenuity has long been at the epicenter of avant pursuits. Lustrous locks of tonal notes floating in the breeze as each counterpart unfurls, becoming sinewy strings of texture set against a golden background. It is among such a romantic setting that the works of Fabio Orsi glimmer, catching the sun’s rays and beaming it back to the world as beautifully constructed song paintings. On his latest, Random Shades of Day, Orsi continues to emerge as a master of transforming music into mood through four pieces of richly layered drone set against a dreamy landscape.
