Brainwashed Radio: The Podcast Edition

Cow in Maui from Veronika in Vienna

Two new shows just for you.

We have squeezed out two extended release episodes for this weekend to get you through this week. They contain mostly new songs but there's also new issues from the vaults.

The first show features music from Rider/Horse, Mint Field, Robert Aiki Aubrey Lowe, Anastasia Coope, ISAN, Stone Music, La Securite, Bark Psychosis, Jon Rose, Master Wilburn Burchette, Umberto, Wand, Tim Koh, Sun An, and Memory Drawings.

The second episode has music by Laibach, Melt-Banana, Chuck Johnson, X, K. Yoshimatsu, Dorothy Carter, Pavel Milyakov, Violence Gratuite, Mark Templeton, Dummy, Endon, body / negative, Midwife, Alberto Boccardi, Divine.

Cow in Maui from Veronika in Vienna.

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The Drift, "Ceiling Sky"

Collecting six vinyl-only songs onto CD for the first time, including the band's 12" debut, this album from highlights their jazz-inflected soundtracks for movies that don't exist. Among these tracks are remixes by Four Tet and Sybarite, who pick up the pace with their unique contributions yet keep the mood intact.

 

Temporary Residence

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Jazzfinger, "King Murnam"

This cassette's album art may be a gorgeous sky blue, but it doesn't deal in daylight metaphors: my mind's vision of the music is at direct odds to the open sky artwork. The resounding visual image of King Murnam is that of music called into being from the dark by candlelight. It's not a case of horror-flick dark flickering shadows, Jazzfinger have never been ones to shoehorn clichés, preferring to move organically.

 

JK Tapes

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Fear Falls Burning & Birchville Cat Motel

These two underground masters of the head trip combine forces for this lethal long-playing untitled track of subterranean mind games. This collaboration goes through purposefully blurred cycles of calm and anxiety that flow like a well-paced narrative.

Conspiracy

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Organum, "Omega"

The stark packaging adorning this CD gives no hint of the majesty of David Jackman's latest drone opus. Omega marks the third and final instalment of a trilogy that started with Sanctus on Robot Records and continued with Amen, also on Die Stadt.
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Steinbrüschel, "Basis"

cover image The Room40 label is quickly establishing itself as a touchstone for oblique, esoteric electronic experimentation.  So on first glance, this album's cover art of a flower seems somewhat out of place among the austere design and digital graphic manipulations.  It is, however, a very appropriate image given that beyond all of the digital processing and trappings, what lies beneath the layers is a subtle, beautifully melodic work that retains the innate warmth of the acoustic instruments that form the source material of these tracks.
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Der Blutharsch, "The Philosopher's Stone"

cover imageThe late period Elvis sideburns that Albin Julius has been sporting in recent photos do not seem to be simply an aesthetic selection:  he has fully embraced the cult of rock and roll.  Although vestiges remain, he and the rest of the band have pushed away from the neofolk and avant garde martial trappings of the past into their own semi-perverted form of rock music.
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Steven Brown, "Brown Plays Tenco"

Attention American Idol contestants! Luigi Tenco failed to make the final of the 1967 San Remo Festival. As a protest against the jury's taste in music, he shot himself in the head. The song Tenco performed was "Ciao Amore Ciao" and had I been judging he would still have pulled the trigger. However....
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Dance Singles of the Moment 2/17/08

Our new semi-regular feature of notable new dance singles continues with reviews of Beyond the Wizard's Sleeve, Hercules & Love Affair, Underground Resistance, Matthew Dear and Fischerspooner.
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Eidvlon, "Idolatriae"

After a prolonged absence, Italy's Eidvlon re-emerge into the harsh light of day for the first time in seven years with Idolatriae, a heavy trove of dark mutterings and arcane rumblings extracted from the deepest recesses of both the human psyche and the dankest caverns of earth.
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Richard Youngs and Andrew Paine, "Roman Concrete: Volume 1"

This isn't exactly what I would expect from this pairing given past collaborations, but this disassociated mix of electronic garble, dissipated guitar, and severed spoken word opens up yet another interesting starting point for Paine and Youngs to explore.

 

Sonic Oyster

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