Long Live Death provide a great example of dishonest music, of a music born from adolescent preoccupations with the occult that never go anywhere, but instead stay the product of an adolescent mind. David (Late) Tibet, despite his initially shocking voice, sounds convincing and absolutely believable.
Two new shows just for you. We have squeezed out two extended release episodes for this weekend to get you through this week. They contain mostly new songs but there's also new issues from the vaults. The first show features music from Rider/Horse, Mint Field, Robert Aiki Aubrey Lowe, Anastasia Coope, ISAN, Stone Music, La Securite, Bark Psychosis, Jon Rose, Master Wilburn Burchette, Umberto, Wand, Tim Koh, Sun An, and Memory Drawings. The second episode has music by Laibach, Melt-Banana, Chuck Johnson, X, K. Yoshimatsu, Dorothy Carter, Pavel Milyakov, Violence Gratuite, Mark Templeton, Dummy, Endon, body / negative, Midwife, Alberto Boccardi, Divine. Cow in Maui from Veronika in Vienna. Get involved: subscribe, review, rate, share with your friends, send images!
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The king of Shitkatapult has gone pop. While T.Raumschmiere is undoubtedly one of the most marketable and cross-over capable artists to come out of the hard, broken dance scene in Germany, his leap into mainstream whine-rock is still a little unexpected.
Harvesting all the energy of the punk world through some of the louder and more distorted acts of yesterday, this duorips up their instruments and vocal chords over the course of eightbrief tracks, proving that the guitar hasn't completely lost its edgeor destructive ability. 
Within less than a year since their previous album Dan Matz and Jason McNeely return with Giving up the Ghost. Not dissimilar to 2004’s We Fight til Death,their latest album keeps to the typical gentle but pulsing rock sound.
Vertonen is the work of Blake Edwards, owner and proprietor ofChicago's C.I.P. label, which has released work by variousexperimental, primarily electronic projects including Z'ev, The HaflerTrio, Howard Steltzer/Jason Talbot and Nautical Almanac.
Johannes Vester and Ludwig Papenburg, along with with Ludwig's brotherUlrich, formed the group Sand, whose sole album (1974's Golem) is aKrautrock classic, famous for its haunting sparseness as well as the"Artifical Head" stereo mixing method pioneered by producer KlausSchulze.
I wish there was a nicer way to say this, but Aidan Baker's newestrelease just isn't very good. It's disappointing because I trulyenjoyed a live set I caught of his in Toronto last year, and his recordwith Mnemosyne as part of last year's Piehead series was pretty solid.
I only had to read a few of the song titles from Icelandicsinger-songwriter Blindfold to know I was in for music that would putme to sleep.
Stan Ridgway's solo albums have been getting more relaxed over the years. Whereas his early post-Wall Of Voodoowork sounded heavily structured and painstakingly produced, his recentwork has become looser...the edges are getting rougher, his lyrics andmusic are getting both darker AND sillier (often during the samesong).
Opening their latest album with "Hot Stenographer" communicates a clear message: this Seattle quartet is bent on blowing up stereo speakers and washing their musical style with a new approach.
