Somehow Mick Harris has slipped a couple of records by me in the last few years starting with the Super Mantis Part 1 single released by Combat Recordings in 2008. Scorn somehow makes simple drum beats and atonal bass sound angry. He's been working out this formula for over a decade and has left a traceable line from Super Mantis all the way back to his one-off Weakener project from 1998. In some ways, not much has changed: the bass still warbles and wobbles, the beats are still dead straight and simple, and the ambience is slowed down and impossible to pinpoint. But in other, subtle ways, Harris has refined these tracks over time and he's kept up with and just one step ahead of the legions of younger producers that he has inspired.
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Jefre Cantu-Ledesma is best known for his work in Tarentel and The Alps, but his latest solo release doesn't sound much like either of those bands (no surprise, since they don't sound much like each other either). Instead, his self-described celebration of love itself plunges wholeheartedly into dream pop/shoegazer territory, sounding like Lovesliescrushing's best moments expanded into a warm and enveloping ocean of artfully layered guitar noise.
Finding themselves a drummer down for their ninth release, Supersilent have this time approached their music from a completely different angle. Dispensing with their usual instrumentation, the remaining members have instead utilized Hammond organ exclusively for these four pieces. While the end result sounds nothing like their previous work, this is a thrilling and captivating album that is an unusual entry into an already curious catalogue. The music is cosmic, sacred and psychedelic in ways that have not previously been delved into by the group.
Now reissued on CD after a very limited vinyl-only release in 2008, this fun and absurd compilation of not-quite-surf may very well be the last (and first?) word on the enigmatic Shadow Music scene that very briefly flourished in 1960s Thailand. This feat of DIY ethnomusicology contains some of the most improbable, strange, and obscure pop music that will reach Western ears this year.
This self-titled album (not to be confused with their eponymous tape on Hanson from 2007) sees the Ohio trio further refine their cosmic sounds. A huge leap forward from their already impressive releases like Solar Bridge and What Happened, this LP confirms my belief that these guys are creating some of the most important music being made today. There are several moments during this LP that make the hairs on the back of my neck stand up, proving that Emeralds are tapping into something here that is truly extraordinary.
America's knowledge of African culture is quite minimal, but the tireless work of Alan Bishop and his Sublime Frequencies label has helped us come to a better understanding of some of the music and many folk rituals found across the greater African continent. The latest from Niger import Group Bombino provides another mind-altering picture of musical idioms from an ocean and a lifetime away.
As much as I was impressed with their last album, it was still a bit patchy. On their latest album, This is Fire is a leaner and more concentrated effort compared to their previous releases. The ladies of Spires that in the Sunset Rise have refined their sound and recorded a wonderful little album. This is the best release from Spires in the Sunset Rise yet.
The first compilation devoted to pieces made with the FM3 Buddha Machine includes 15 efforts by artists such as Blixa Bargeld, SunnO))), Kammerflimmer Kollektief, Adrian Sherwood + Doug Wimbish, Es, and Sun City Girls. Overall it achieves a collective consistency which may transcend what Derek Bailey called "lounge electronics, mumbling electronics."
