Sonically seduced by the infinitely reverberating, rapturous depths of this record, I no longer care that Sasu Ripatti essentially mines the same creative space with every Vladislav Delay release. The fact remains that under this moniker he makes perpetually gorgeous, imperfectly fractured ambience, setting the mood for transformation and reflection on a quiet night alone.
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Unfussily and without gimmicks, Adam Pierce (as Mice Parade) favors certain notes and chords that quickly build excitement, sadness, and nostalgia. I don't think of this as cheap, easy, commercial or anything less than art. To dismiss it as pop would be a mistake.This disc is an evolved version of his flowing, blissful, non-clichéd popular music.
Yet another collaboration from the same group of people is getting tedious, not enough experimentation or progress is being made on the musical front. This duo comprises of Caleb Scofield and Santos Montano, both from Old Man Gloom and the former is also in Cave In. I have a feeling more people will be sold on Zozobra based on the artist connections than on the strength of the music. The Hydra Head talent pool ia growing stagnant and this mediocre at best album is firm proof that the label is in serious danger of becoming a circle jerk for a few select artists.
Taking inspiration from the likes of the Velvet Underground and Albert Ayler, Organ Eye is the manifestation of four different persons "doing improv" for the first time, and the results are worth taking a closer look at.
Being a noise musician is kind of like joining the mafia. Sure, you can do other things with your life, branch out and try something new, but you can never really leave the scene. Seeing a release on Touch, that bastion of UK beard-stroking electronic experimentation, would lead one to think Kazuyuki Kishino has dropped the guitar noise and tossed out the effects in favor of a Powerbook and Max/MSP…but that would be wrong.
Those present at November's Brainwaves who witnessed Troum's mindblowing set who have been seeking more music from them that resembled their set that night can stop here. Reviewing the videos from Brainwaves it's all clear now that Shutûn is undoubtedly the piece performed that night. For those unfortunate enough to miss out, a large portion of this performance is actually available now on the 
Ripped from February 2007 live sets in Den Haag and Antwerp, this is Skullflower in violent duo mode. Joined by Culver's Lee Stokoe, Matthew Bower continues to use this project as an instrument of assault. Anyone looking for the nearly formed structures of recent Skullflower non CD-R releases will be disappointed. This twin guitar din is a storm of falling patterns, shredded by feedback and broken temple wails. As with most of Bower's work beneath the onslaught there is a strata of high end sparkles, though attention needs to be paid to Abyssic Lowland Hiss to reveal it.
Bernard Parmegiani’s fascinating, long out-of-print album finally gets its much-deserved release on CD. Originally released in 1974, this recording is as dark, unsettling, and alluring as anything being released today.
