The latest entry in Southern Records' Latitudes series is from Finland's mighty Circle. Even though the combination of the band's name and the title of the album seems like a nod to one of Celtic Frost's classic songs, this release focuses on the band's more spacey sounds than on their classic metal-worshipping moments. Like most of their previous albums, there are some amazing moments on Tyrant but also a few stumbles along the way.
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This extremely long-in-the-making (five years!) collaboration between these two titans of the avant garde finally arrives with high expectations that are summarily met. Rather than something academic and difficult, it is instead a captivating and visceral work.
Throbbing Gristle activates a certain part of my brain that immediately responds with the idea of noise. Then, after more careful reflection, harsh noise, death, industry, sex, pain, exploitation, and a host of other generally negative and exciting responses come to the fore and resolve the picture I have of the band, however incomplete and misinformed it is. Part Two - The Endless Not surprises me because it doesn't evoke that picture of Throbbing Gristle and in fact calls the presence of that name on this recording into question.
Anla Courtis and Ralf Wehowsky combine their talents to create an album of distorted, erratic textures that scrape the eardrums to inspired, ecstatic effect. The spirits they conjure don’t seem very happy to be awakened, unleashing their exquisite vengeance with a wrath like the Furies.
Rjyan Kidwell is going on ten years of musical output and his music is growing accordingly. Of his most recent endeavors, Sketchi is his most immediately mature work, abandoning what might be called his more adolescent tendencies in all places except the artwork that accompanies the record. Don't be fooled by the "Twin Towers" cover, Cex's newest is one of his most sober releases to date.
"Dungtitled (in A major)" seems an irreverent title, but announces sonically Brian McBride's and Adam Wiltzie's most doggedly serious recording to date. Compared to The Tired Sounds of... the music on And Their Refinement of the Decline is more direct, relying less on minutiae and emphasizing the power of their music as cleansing and consumptive.
For anyone who has spent any serious amount of time listening to the leftfield of electronica over the past three or four years, it's hard to imagine someone reinventing the proverbial wheel. I know the more I listen to new and "underground" electronica, the more I keep hearing the same things over and over. Phat beats make for a great 12" or live set but an album needs more. Nebulo gives a lot more. On Kolia, through atmospherics and melody, Nebulo has made the best electronica album I've heard since Ellen Allien's Berlinette.
After Unai's substandard A Love Moderne made for an inauspicious resurrection for Force Tracks, this full-length from a netlabel favorite picks up the gauntlet previously held by Dub Taylor and M.R.I. Still, it isn't quite enough to bolster the once unassailable tech-house imprint.
