Musically the best thing this standard quartet has to offer is a cover of a Dead Can Dance song. Thematically, the band makes broad, misconstrued statements that make Michael Moore look like a moderate in the lap of Rush Limbaugh.
Look up Music for gazing upwards brought to you by Meat Beat Manifesto & scott crow, +/-, Aurora Borealis, The Veldt, Not Waving & Romance, W.A.T., The Handover, Abul Mogard & Rafael Anton Irisarri, Mulatu Astatke, Paul St. Hilaire & René Löwe, Songs: Ohia, and Shellac. Aurora Borealis image from California by Steve. Get involved: subscribe, review, rate, share with your friends, send images!
|
This double live album is another impressive release from Keiji Haino. For this concert he was joined by Sitaar Tah! (a twenty strong sitar orchestra) and a throat singer by the name of Fuyuki Yamakawa. It’s as good as it sounds.
Ex members of Windsor for the Derby contribute to this pretty little single, the first from their debut album Fear Is On Our Side: the result is a number catchy enough to have me singing along even though I can't find the lyrics to the song anywhere.
This mystic, free rock crap really loves to wander without going anywhere. Three and four minute songs end up sounding like ten minute excursions in the name of ambivalence or pure wanksterism and songwriting is sacrificed for "exotic" arrangements and instruments. First Nation try to blow that stereotype out of the water on their debut and they come damn close to outright embarrassing everyone around them.
For the most part recorded live in Vienna, this album is a consolidation of Nurse With Wound’s most recent output into one piece. The results speak for themselves; the different resources integrate with each other perfectly to give an exceptional piece of music.
Recorded in one day, then processed over three years, here is an orgasmic maelstrom. Transmitting as much calm unease as bewildering force, Aufgehoben's third release is beautifully fleet-footed, intensely musical, tantalising ugly and almost tangibly sexual. As if a winged piledriver were coupling with a steel drum, in a furnace.
This album is a collection of deceptively simple, melodic songs performed on electric guitar and bass by the composer and player who has worked his singular magic on so many of Current 93's most memorable records. Cashmore makes use of a minimal instrumental palette to create a suite of haunting melodies that seem stuck in some hazy, half-remembered, sepia-toned corridor of memory.
Maintaining a consistent level of excellence during improvisational collaborations is a difficult task. Sometimes even when the musicians and the audience find the results cathartic, they don’t always translate well to recorded media. Unfortunately, After at Once is one of those instances.
Despite a clear admiration for the ambient tradition, some irksome excesses such as sonic squiggles and skittery noises mar the intrinsic beauty of this composition.
