For their latest album, the duo of Andrew Chalk and Timo van Luijk (Af Ursin) take an unexpected detour from their impressive run of limited self-released albums for an appearance on Stephen O'Malley’s eclectic Ideologic Organ imprint. To honor this auspicious occasion, the core line-up is fleshed out with returning collaborators Tom James Scott and Jean Noël Rebilly, as well as pedal steel guitarist Daniel Morris. In all other respects, however, Vieux Silence is every bit a traditional Elodie album, unfolding as a flickering impressionist dream that seems to emanate from a time and place totally unlike our own. As an album, it does not necessarily tower above the rest of Elodie's consistently fine oeuvre, but the title piece might be the single most achingly gorgeous piece that Chalk and van Luijk have recorded together to date.
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