Geir Jenssen is my kind of artist: the kind that now only surfaces when he has something truly new or significant to convey.  Ending a five-year hiatus, Departed Glories is a radical departure from past Biosphere releases, all of which were very much of their time.  Departed Glories, on the other hand, ambitiously takes aim at timelessness instead.  Taking inspiration from the forests around Krakow, the photography of Sergei Prokudin-Gorsky, the story of medieval Polish mystic Bronislawa, and some research into Polish and Ukrainian folk music, the otherworldly, mysterious, and hallucinatory vignettes of Departed Glories jettison all obvious traces of Jenssen's contemporary electronic music past.  I am actually quite fond of that past, mind you, but the best pieces on Glories are on a completely different level altogether.  This is a major creative breakthrough and easily one of the most inspired albums of the year.
We made it to 700 episodes. While it's not a special episode per se—commemorating this milestone—you can pretty much assume that every episode is special. This one features Mark Spybey & Graham Lewis, Brian Gibson, Sote, Scanner and Neil Leonard, Susumu Yokota, Eleven Pond, Frédéric D. Oberland / Grégory Dargent / Tony Elieh / Wassim Halal, Yellow Swans, Dental waste in Saigon photo by Krisztian. Get involved: subscribe, review, rate, share with your friends, send images! |