Ka-Spel's latest is a labyrinth of hallucinatory hallways in which the exit is frequently obscured by mirages and wrong turns. Half-remembered voices and snippets of forgotten songs lure the unwary ever deeper into the maze, only to be ambushed by unexpected noises and hushed whispers that offer no hope of escape.
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The early pioneers of what has become known as "ambient" return after a decade long silence with a fascinating new work that shows the collective staying true to their roots, but at the same time exploring more grimy, less ethnic textures. 
This is another work that does not have a specific identifiable "theme" regarding its sound (i.e. no focus on guitar, psychedelica, drums, etc), but there is a distinct dark, nihilistic feel to the work as a whole. The overall sound is augmented by the packaging, which depicts Masami Akita in front of a demolished building, all tinted dark and such like. Surprisingly, this darkness manifests itself in the music without pushing it to abnormally harsh or violent realms (by Merzbow standards, of course). Quite the contrary, for a noise work, it is relatively mild and listenable. 
Githead's debut Headgit EP and subsequent full length Profile brought angular post-punk at a time when, quite frankly, everyone else was doing it. That Wire frontman Colin Newman served as its voice and postmodern lyricist did surprisingly little to differentiate it from the fresher crop of youngbloods. Both releases had their respective moments of memorable majesty, such as the subdued tech-house of "To Have And To Hold" and the slogan expropriating screed "Option Paralysis," though neither produced the anticipated excellence of a collaboration between Newman, his wife Malka Spigel, and Robin "Scanner" Rimbaud.
Released in November of 2006 to commemorate their first joint appearance, Z'EV and David Linton each contribute an original track and a remix of the other's work to form this intriguing and unusual album.
