Daniel Menche gets a lot of respect from almost everyone who likes or makes noise. Perhaps it's because Menche has a sandwich named after him in the northwest; a sandwich so full of spice and flavor that it has caused sensory overload in some and sent others into a blissful and traumatic episode.
Two new shows just for you. We have squeezed out two extended release episodes for this weekend to get you through this week. They contain mostly new songs but there's also new issues from the vaults. The first show features music from Rider/Horse, Mint Field, Robert Aiki Aubrey Lowe, Anastasia Coope, ISAN, Stone Music, La Securite, Bark Psychosis, Jon Rose, Master Wilburn Burchette, Umberto, Wand, Tim Koh, Sun An, and Memory Drawings. The second episode has music by Laibach, Melt-Banana, Chuck Johnson, X, K. Yoshimatsu, Dorothy Carter, Pavel Milyakov, Violence Gratuite, Mark Templeton, Dummy, Endon, body / negative, Midwife, Alberto Boccardi, Divine. Cow in Maui from Veronika in Vienna. Get involved: subscribe, review, rate, share with your friends, send images!
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This split from two of the newest wave of black metal was originally released on LP two years ago. It quickly sold out but thankfully has been reissued with four extra tracks. Both Malefic and Wrest’s status have grown immensely since the original release thanks to their recent collaborations with Sunn O))) and demand for their own work has increased accordingly. Although neither artist sounds remotely like Sunn O))), both have far more in common with Norwegians who hang around churches with Zippos.
I'm not used to Ms. John Soda feeling fuzzy. Their sound tends to be more crisp, precise, and often coolly (if not coldly) digital, as if you could feel the ones and zeros scraping past your ears. But "A Nod on Hold," the opening song from Notes and the Like, is teeming with a bubbly electronic bed, couched in a serenade of strings. It's fluffier and warmer than usual for the band, who espouse a pop-electronic ethos while still clinging to a rock ideal which helps to make their songs more angular.
Kamerman finds the vein and plots a course for the dark arterial parts that elude many other artists. These two pieces are messily organic noise improvisational / compositional voyages that map out the kind of areas that is often alluded to but rarely visited.
Front man for The Meatmen and almost a founder of Touch & Go records, Tesco Vee is probably most famous for his rude posturing and sense of humor. Before The Meatmen had recorded Crippled Children Suck or War of the Superbikes he was in a noisy outfit by the name of Blight. This 20 track release on Touch & Go covers everything they released and performed during their one year existence.
American Music Club singer/songwriter Mark Eitzel's latest solo effort is a gentle album full of peaceful melodies, lyrics with an obscure beauty, and Eitzel's warm and softly whispering vocals. Gentle and peaceful though it might be, Candy Ass isn't milquetoast.
The latest release on Aranos’s own label is another hour of quality from one of the most easily identifiable artists on earth. It’s no departure from his previous output, those familiar with his work won’t be surprised with any of the pieces, but the songs here further refine his methods and skills.
Dan Snaith's music
(previously as Manitoba and now, Caribou) is some of the best bright
and sunny pop to roll out of speakers in recent years, and this video
collection on DVD accents that fact with mostly silly, cartoonish
visualizations of Snaith's blissful tunes.
Thesecond album from these Pennsylvanian chaps is full of chunkyblues-inspired riffs. Not in a nasty, necrophilia-tinged way like LedZeppelin but more in a Sabbath-style with a nod to past greats. While Iappreciate the straightforward rocking and absence of wank solos,unfortunately there’s not much to make Pearls and Brass anything morethan just another generic stoner rock band.
By now, pretty much everyone knows what to expect from a Whitehouse album, and Whitehouse seem satisfied to fully play into these expectations. Restraint and subtlety have never played a part in the project, and the Whitehouse discography seems to chart very little in the way of musical evolution in the more than two decades the group has been operating. 
