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Podcast Episodes 701 & 702 are now live!

Cow in Maui from Veronika in Vienna

Two new shows just for you.

We have squeezed out two extended release episodes for this weekend to get you through this week. They contain mostly new songs but there's also new issues from the vaults.

The first show features music from Rider/Horse, Mint Field, Robert Aiki Aubrey Lowe, Anastasia Coope, ISAN, Stone Music, La Securite, Bark Psychosis, Jon Rose, Master Wilburn Burchette, Umberto, Wand, Tim Koh, Sun An, and Memory Drawings.

The second episode has music by Laibach, Melt-Banana, Chuck Johnson, X, K. Yoshimatsu, Dorothy Carter, Pavel Milyakov, Violence Gratuite, Mark Templeton, Dummy, Endon, body / negative, Midwife, Alberto Boccardi, Divine.

Cow in Maui from Veronika in Vienna.

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Dälek , "Absence"

Sunday, 20 March 2005

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Absence is the heaviest hitting release to date from hip hop'sloudest collective. For the first time, the words come close tomatching the sounds in weight. According to the eponymous frontman, therecord is a statement on hometown Newark, NJ, and suffice to say itwon't be promoted by the Chamber of Commerce.

Akron/Family

Sunday, 20 March 2005

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Proficiency at editing is just as prominent on the list of this quartet's skills as is their songwriting ability. Rather than presenting results along the way since recording commenced in 2002, Akron/Family have waited and produced a work that lends the project the air of appearing fully formed from out of nowhere.

Sam Prekop, "Who's Your New Professor"

Sunday, 20 March 2005

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If the truest goal of any one artist is to have as much completecontrol and freedom over their art as possible, it would seem this Seaand Cake frontman is as close as it gets, and the results are nothingshort of inspirational. If Sam Prekop's total artisticvision—writer/arranger/musician/singer and artwork painter—was ajoyride on his debut solo album, this time he's apt to changeperceptions and set the whole image on its side, making the wholelistening audience second guess every move.

BLACK LEOTARD FRONT, "CASUAL FRIDAY"

Sunday, 20 March 2005

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DFA
This week brings three new slabs of heavy DJ vinyl from DFA Records,with this one by Black Leotard Front sounding the most adventurous tomy ears. "Casual Friday" is a massive 15-minute groove that starts outas ingratiatingly slick metropolitan disco and ends up asingratiatingly slick deconstructed electro-funk from planet weird.

THE JUAN MACLEAN, "I ROBOT/LESS THAN HUMAN"

Sunday, 20 March 2005

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This new single from The Juan MacLean has the distinction of being theDFA label's first 10" release, even though the music itself is notterribly distinct otherwise. "I Robot" is a significant departure fromJuan MacLean's familiar brand of floor-filling electro-dance, most ofwhich had a live, analog feel.

By the End of Tonight, "A Tribute to Tigers"

Sunday, 20 March 2005

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By the End of Tonight have been tagged with a variety of sub-genres intheir short existence: math rock, prog, emo, metal, thrash, post-rock.All of this labeling has resulted in the coinage some interesting andunique hybrids like "math-prog." Such intricate taxonomy can make anymusic critic both gag and delight at the same time but rarely doesjustice to a band's sound.

Venetian Snares, "Rossz Csillag Alatt Szuletett"

Sunday, 13 March 2005

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From the ominous chords of 40-second opener "Sikertelenseg," a solopiece for untreated piano, it is clear that this is a very differentVenetian Snares record than any of the previous 11 albums Aaron Funkhas recorded. The titles appear, at first, to be some sort of prankstergibberish, a la Aphex Twin or Autechre.

Mogwai, "Government Commissions"

Sunday, 13 March 2005

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Although any self-respecting, card-carrying Mogwai fan most likelyalready had access to these songs, Matador presents a collection of BBCsessions which document the trajectory of the band. Presented are somealternate studio versions of classic and perhaps not-so-classic Mogwaisongs recorded at the BBC's Maida Vale studios (except for "R U Stillin 2 It" and "Superheroes of BMX" which were, alternately, recorded atthe Hippodrome).

BOY IN STATIC, "NEWBORN"

Sunday, 13 March 2005

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Towards the end of last year, Boston-area singer/songwriter andmulti-instrumentalist Alex Chen released his impressive debut disc, Newborn,under the guise of Boy In Static. An interesting note on this disc isthat Germany's Notwist had decided to release it on their fairly newAlien Transistor label, essentially getting Boy in Static in on itsground floor. From strummed and plucked guitar progressions and voice,Chen magnifies the depth of his songs by saddling them up withlaptop-inspired clicks and wave/signal manipulation, bass, cello andtasteful keyboard melodies, blurring the lines between pop andelectronic-based music.

NAGISA NI TE, "DREAM SOUNDS"

Sunday, 13 March 2005

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This odd release follows closely on the heels of Nagisa Ni Te's recent album The Same as a Flower.It's odd because it's a 40-minute album containing only four tracks,all of which are re-recorded versions of songs from their back catalog.It's hard to work out just what motivated Shinji Shibayama and MasakoTakeda to record this brief album, other than a desire to liberatethese songs from their previously relatively minimal instrumentalpalette and their low-fidelity recording style.